Art Lini http://artlini.net/ Thu, 16 Sep 2021 11:48:26 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://artlini.net/wp-content/uploads/2021/04/cropped-icon-32x32.png Art Lini http://artlini.net/ 32 32 Ethiopian gallery Addis Fine Art opens space in London https://artlini.net/ethiopian-gallery-addis-fine-art-opens-space-in-london/ Thu, 16 Sep 2021 09:07:00 +0000 https://artlini.net/ethiopian-gallery-addis-fine-art-opens-space-in-london/


Rakeb Sile and Mesai Haileleul
Courtesy of Bandele Zuberi

Against the apparent tendency of galleries to abandon their physical premises during the pandemic, the Ethiopian-born Addis Fine Art gallery opens its first permanent gallery in London in October.

The 2,000-square-foot two-level space on Eastcastle Street in the heart of Fitzrovia’s gallery district will open with an exhibition of works by Nirit Takele, an artist who was born in Ethiopia in 1985 but moved to Israel in 1991 as part of Operation Solomon which saw more than 14,000 Ethiopian Jews evacuated.

“What I realized is that the best strategy for us is to have a place rooted in London where we can have eight or ten shows a year and continue to increase our digital sales because they have been a buoy. absolute rescue and have been where we discovered a lot of our new clients during that time, ”says Rakeb Sile, who co-founded Addis Fine Art in 2016 with Mesai Haileleul. The gallery was a member of London’s Cromwell Place, renting space for occasional exhibitions, but for ten exhibitions a year, it makes financial sense to take a permanent gallery, Sile says.

Since the start of the pandemic, Addis Fine Art has done “just about every online viewing room that was available to us, including Vortic, South South, Frieze New York, and Art Basel,” Sile said. These digital innovations “have allowed us to really expand our reach without all of this shifting… it’s much better from an environmental perspective and from a cost base”.


The Young Man Sitting in a Blue Chair by Nirit Takele (2021)
Courtesy of Addis Fine Art

But Sile says the gallery’s own Instagram account has proven to be the most effective sales platform: “It’s really where we meet young collectors and connect with new people who aren’t. really in the art world. Instagram has been a great tool. In fact, despite the pandemic, the past year has been a commercial success for the gallery: “We have doubled our sales and we have practically doubled in size in terms of reach. But we’ve doubled our sales every year since we started and now we have artists charging pretty high prices, so we’re getting more daring. “

The gallery will be exhibiting at Frieze London (October 13-17) in the Focus section, its first entry to the fair, with a presentation of paintings by Ethiopian artist Merikokeb Berhanu who, according to Sile, “gets a lot of traction with curators in this. moment “. Meanwhile, at 1:54 Contemporary African Art Fair (September 14-17) at Somerset House, Addis will showcase works by its diaspora artists – Tariku Shiferaw, Helina Metaferia, Tsedaye Makonnen and Tesfaye Urgessa. The gallery has also just returned from an exhibition at the Armory Show in New York, where it exhibited the works of Tizta Berhanu, another Ethiopian artist.

Addis Fine Art is one of the few black-owned galleries in London and Sile is well aware that the market for what is loosely referred to as “African” contemporary art is growing. “Speed [of growth] concerns me because I think what is missing is scholarship, writing, critical points of view. And in fact, the representation is lacking – if you look at a range of galleries that represent African artists, even on the continent itself, I don’t think you will find more than a handful of Africans who actually own galleries.

She adds: “Moreover, Africa is not a place, Africa is huge and so diverse. So I think one of the things that we’re really proud of at the gallery and want to keep doing is only dealing with this little part of Africa. [Ethiopia]. And it’s actually not small, it’s huge: 110 million people!

Addis Fine Art will retain its original space in Addis Ababa, Ethiopia, which Sile describes as an “incubator” for young artists and a “gallery that allows artists to come home and share their works of art in Ethiopia ”. Logistics are tough in Ethiopia, Sile says, so “we can never really do 10 shows a year there – four or five shows a year, that’s about what we’re aiming for. It is above all a place where a local public can come to see art in a country where public institutions are scarce.

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From Amitabh Bachchan to students, creators bet their talent on non-fungible tokens https://artlini.net/from-amitabh-bachchan-to-students-creators-bet-their-talent-on-non-fungible-tokens/ Thu, 16 Sep 2021 04:28:56 +0000 https://artlini.net/from-amitabh-bachchan-to-students-creators-bet-their-talent-on-non-fungible-tokens/

What is common between superstar Amitabh Bachchan and a 20-year-old artist couple. No, it’s not just that they like the movies. It’s not even that they hope to make a living from their profession. This is because artists, young and old, now think that NFTs or non-fungible tokens will help them better monetize their talent.

NFTs became a rage earlier this year after a digital artist named Beeple sold his art for $ 69 million. They have continued to earn change ever since.

The fundamental purpose of an NFT is to present proof of ownership by floating creative work on a blockchain ledger. Also called tokenization, the process creates a transaction log, which makes it easier to transfer or resell the NFT. Ethereum is currently the most popular blockchain for NFT minting due to its smart contract capabilities.

In recent months, NFTs have gained the attention of creators, whether in the art world or in the film and sports communities.

Bachchan, for example, will be auctioning NFTs that include artwork around him and his life in November. He will also be auctioning NFTs of him reciting poems by his father Harivansh Rai Bachchan on Beyondlife.club.

It’s not just well-known artists like Bachchan who are turning to NFTs.

Virti Jain, 20, and Ninad Lokhandkar, 21, stumbled upon the idea of ​​an NFT in early February 2021. The Mumbai-based duo did not fully understand how a blockchain works, but several successful NFT sales by young artists encouraged them to give it a go. The Internet has served as a level playing field for them to compete with better-known artists.

After some research, the duo decided to take the first step and register with an Indian crypto exchange.

The first three designs that were sold barely made them a few dollars. However, it slowly picked up and the duo eventually managed to sell a piece called ‘Nandi – The divinity who gives’ for $ 225. While those numbers may seem small compared to Beeple’s $ 69 million, it doesn’t hurt to have a little extra cash to spend.

“We’re students, so it’s not a full time for us,” they told BloombergQuint. “But it gives us a great opportunity to try new things, to explore and gradually find our place in the industry.”

Previously, art galleries, exhibitions or social media ads were often the only way to get noticed, the duo said. However, third-party markets are drastically changing that and making it easier for collectors to discover us, they added.

Star artist Karan Kalra has also failed to sell all of his creations. But his “Organized chaos: Delhi” went under the hammer for $ 2,010 (around Rs 1.48 lakh).

Karan is now convinced and said that NFTs can be a lasting solution for artists.

Create value from scratch

The NFTs also help to push the definition of art a little further. From fine art and digital art to music, sound and sports, everything has the potential to become a valuable NFT.

Amrit Pal Singh, a 31-year-old 3D illustrator and art director from New Delhi, sold two works of art for $ 24,000 (around Rs 18 lakh) in February. Both pieces featured a toy face inspired by electronic music duo Daft Punk. It has sold many more toy faces as NFT on Foundation, a marketplace where auctions are held, and payment is mostly made in Ether, the currency of the Ethereum blockchain.

“It is essential to have something unique in your work so that it has inherent value. Therefore, I have focused on collectibles such as an entire ‘Toy Faces’ collection containing 26 avatars” , did he declare.

What size? How sustainable?

There is little information on the size of the NFT segment in India.

According to WazirX, whose platform is currently the most used for NFTs, it has over 300 creators listed with more than 3,200 NFTs created. The creator-to-collector ratio is 1.49, which means there are currently more people selling NFTs than they are buying.

It doesn’t take much to create an NFT. The cost is only $ 1 on the platform, compared to Ethereum’s fee which rose to almost $ 60 in mid-September. WazirX is expected to launch a secondary market soon, where resale will be possible and artists will be able to get a share of each sale.

At the moment, the market is thin.

“There are only a handful of creators available in markets like WazirX. That’s because they haven’t established a secondary market for resale yet,” Singh said. The WazirX platform, he said, is not based on the Ethereum blockchain and this becomes a limiting factor for creators wishing to reach a global audience.

The NFT space is also still controlled by “pinball machines”. Reversal is the process of actively trading NFTs to make quick money using intraday strategies or buy today, sell tomorrow (BTST).

In addition, the lack of regulation around cryptocurrencies, more broadly, remains a challenge.

“The law is not very clear. We don’t know if Bitcoin can be accepted as a legal payment method in the country, and if someone buys an NFT abroad, it is technically considered an export,” said Indrajit Chatterjee, curator of Mumbai-based auction house and gallery, Prinseps. “Additionally, cryptocurrencies are extremely volatile, making it difficult to assess a coin’s value in real time.”

Chatterjee said that until regulatory hurdles are removed, the auction house will accept fiat money payments and then mint the coin in NFT. He explained that NFTs simply use a blockchain’s smart contract system, and transactions can be settled in traditional currencies.

Whether NFTs turn out to be a bubble or lasting change, Chatterjee suggests that creators focus on what they do best: creating. Beeple has been making art for two decades, and that’s what got him a record-breaking bid, he said. “NFTs are just a new means of distribution.”

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WISeArt Trusted Marketplace for luxury NFTs, symbolizes the Black Mamba package autographed by Kobe Bryant https://artlini.net/wiseart-trusted-marketplace-for-luxury-nfts-symbolizes-the-black-mamba-package-autographed-by-kobe-bryant/ Wed, 15 Sep 2021 16:00:00 +0000 https://artlini.net/wiseart-trusted-marketplace-for-luxury-nfts-symbolizes-the-black-mamba-package-autographed-by-kobe-bryant/

WISeKey collaborates with GDGC companies to Host a webinar:
WISeArt Trusted momrketplace for luxury NFTs, Tokenizes the Autographed Black Mamba Package through Kobe bryant

Online seminar is planned for September 20 2021 at 3:00 p.m. CET

Geneva, Switzerland – September 15, 2021 – WISeKey International Holding Ltd (NASDAQ: WKEY; SIX: WIHN), one of the leading cybersecurity, IoT and AI platform companies, announced today in collaboration with GDGC Enterprises, LLC (“GDGC”), a New York-based luxury asset and NFT advisory firm specializing in tokenization and sale of selected assets around the world, will host a webinar or on Monday, September 20, 2021 to discuss the upcoming Kobe Bryant Autographed Black Mamba Pack auction via the WISeArt Trust Marketplace (https://www.wise.art) for Luxury DTVs.

The exclusive package will consist of a limited edition 1/3 Black Mamba in 18k Rose Gold Whirlpool look, designed and signed by Kobe Bryant, a sneakers signed by Kobe Bryant and a custom digital artwork designed by a New York based artist Moshe Douglas. The auction will go live on September 20, 2021 on the WISe.Art digital marketplace, with a starting price of $ 1,008,240.

Interested parties can register to attend the webinar as follows:

Date: September 20, 2021
Time: 3:00 p.m. CET / 9:00 a.m. EST
Link: https://us02web.zoom.us/webinar/register/WN_7CdzrdgeRjiPwxKAHylt3w

Speakers include:

  • Carlos Creus Moreira, CEO and Founder of WISeKey

  • Toni Tal Barel, expert in watches and jewelry, collector and investor

  • Moish E. Peltz, Esq, partner of Falcon Rappaport & Berkman PLLC

  • Kenneth J. Falcon, Esq, Managing Partner of Falcon Rappaport & Berkman PLLC

  • Ashok Ranadive, Director of Professional Services at Casper Labs

  • Gregory Gadson, Managing Partner and CTO of GDGC Enterprises, LLC

WISeKey, working with guest experts, will explain how the GDGC team was able to strategically secure the asset on the blockchain and capture the detailed specifications of each item, such as crystal type, bezel, bracelet material as well as as the origin of the sale.

In addition, they will address the WISe.Art platform which has been selected to perform this method of tokenization and provenance creation (which cannot be tampered with or contested as the information will live forever in the metaverse).

The end of the session will be marked by the launch of the auction of this incredible Kobe Bryant Autographed Black Mamba pack which combines the physical and digital twins of a Hublot 1/3 18k Rose Gold tourbillon watch and a Nike Kobe sneaker. Zoom VIII both signed. by Kobé. This event and this auction will allow the collection of this lot of ultra-rare souvenirs which holds historical value in the world of sport.

As previously announced, WISeKey will commercially launch its WISe.Art NFT (https://www.wise.art) platform for the collectibles and luxury goods market on September 1, 2021, following a series of test auctions. market, including the two world first NFT auctions of digital twins of a physical watch.

Carlos Moreira, CEO of WISeKey, said: “We are delighted that the Black Mamba NFT package is being auctioned through our WISe.Art platform. Our WISe.Art NFT platform is a fully fledged marketplace with its own digital currency, has the ability to include curators and multipliers, labeling options and special NFT designs. The NFT design of the WISe.Art platform ensures that in addition to an authenticated and signed version of the actual digital asset, it creates an irreversible link with the physical object, provides proof of ownership, provenance and a set of contracts describing future use and monetization flows. The NFT platform, secured by WISeKey’s various security technologies, allows the authentication of physical objects as well as digital assets, in a secure end-to-end process. Additionally, NFTs on the WISe.Art platform are completely carbon neutral to comply with upcoming ESG regulations and most collectors’ desire to protect the planet.

In 2013, Kobe Bryant signed the Black Mamba watch which includes a brushed hand-wound movement, 27 jewels, a mono-metallic balance wheel rotating in a one-minute tourbillon cage, an 18-carat rose gold and titanium case, insert ceramic bezel, ceramic bezel, skeleton brushed dial, subsidiary dials for the chronograph and 30-minute registers, brushed snake shape around the tourbillon and registers, sapphire crystal back secured with the Kobe Bryant signature, unique 2-way push button hours and dial and movement signed by Kobe Bryant with an 18k rose gold and titanium folding clasp.

Diamonté D. Zarba, Managing Partner of GDGC Enterprises LLC, said, “The GDGC leadership team is honored to partner with world-renowned WISeKey in our quest to bring luxury realism to the Metaverse. We believe that with the launch of the WISe.Art Marketplace, WISeKey offers by far the most solid and secure platform to host the next auction of our one-of-a-kind Black Mamba NFT package. We are not only excited about this transaction, but also about the future of the luxury NFT space. “

About WISeKey
WISeKey (NASDAQ: WKEY; SIX Swiss Exchange: WIHN) is a leading global cybersecurity company currently deploying large-scale digital identity ecosystems for people and things using blockchain, AI and IoT while respecting humans as the backbone of the Internet. WISeKey microprocessors secure the ubiquitous computing that shapes today’s Internet of Everything. WISeKey IoT has an installed base of over 1.6 billion microchips in virtually all IoT sectors (connected cars, smart cities, drones, agricultural sensors, anti-counterfeiting, smart lighting, servers, computers, cell phones, cryptographic tokens, etc.). WISeKey is uniquely positioned to be at the forefront of IoT because our semiconductors produce an enormous amount of big data which, when analyzed with artificial intelligence (AI), can help industrial applications predict failure. of their equipment before it happens.

Our technology is trusted by OISTE / WISeKey’s Switzerland-based Cryptographic Root of Trust (“RoT”) provides secure authentication and identification, in physical and virtual environments, for Internet of Things, blockchain and l ‘artificial intelligence. The WISeKey RoT serves as a common trust anchor to ensure the integrity of online transactions between objects and between objects and people. For more information visit www.wisekey.com.

Press and investor contacts:

WISeKey International Holding Ltd
Company contact: Carlos Moreira
Chairman and CEO
Phone. : +41 22 594 3000
info@wisekey.com

WISeKey Investor Relations (United States)
Contact: Léna Cati
The Equity Group Inc.
Phone. : +1 212 836-9611
lcati@equityny.com

About GDGC Enterprises LLC:
GDGC Enterprises LLC is a full-service luxury asset and non-fungible token (NFT) advisory firm specializing in the tokenization and sale of select assets across the globe. Through its partnerships with industry-leading companies, GDGC Enterprises provides a complete, vertically integrated process from provenance to sale for select luxury assets worldwide. Once the provenance is certified, it is then minted as an NFT (Non-Fungible Token) on the Ethereum blockchain. Once hit, the NFT is then bundled with the physical asset creating a package. Through the Wise.Art platform, GDGC facilitates a digital auction for the NFT package which is then marketed and facilitated.

FOR PRESS REQUESTS:
Denise finnegan
R. Couri Hay Creative Public Relations
denise@rcourihaycpr.com
T: 212.580.0835

Sarah gartner
R. Couri Hay Creative Public Relations
Sarah@rcourihaycpr.com
T: 212.580.0835

Disclaimer:
This communication expressly or impliedly contains certain forward-looking statements concerning WISeKey International Holding Ltd and its activities. Such statements involve certain risks, uncertainties and other known and unknown factors, which could cause the actual results, financial condition, performance or achievements of WISeKey International Holding Ltd to be materially different from the future results, performance or achievements expressed. or implied by forward-looking statements. WISeKey International Holding Ltd is providing this communication as of this date and does not undertake to update any forward-looking statements contained herein as a result of new information, future events or otherwise.

This press release does not constitute an offer to sell, or a solicitation of an offer to buy, securities, and it does not constitute an offer prospectus within the meaning of article 652a or article 1156 of the Swiss Code of Obligations or a listing prospectus. within the meaning of the SIX Swiss Exchange listing regulations. Investors should rely on their own assessment of WISeKey and its securities, including the merits and risks involved. Nothing herein is, or should be considered, a promise or representation as to the future performance of WISeKey.

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Suffolk Sculptures Hit By The Blossom Hammer For Charity https://artlini.net/suffolk-sculptures-hit-by-the-blossom-hammer-for-charity/ Mon, 13 Sep 2021 10:37:00 +0000 https://artlini.net/suffolk-sculptures-hit-by-the-blossom-hammer-for-charity/

The turtle and hare sculptures that have formed a city trail seen by thousands of visitors throughout the summer are expected to come under the hammer later this month.

The eye-catching works – decorated by local artists – were part of The Way Ahead Art Trail in Eye which launched on July 8.

The 26 sculptures along with 16 mini-sculptures will be auctioned off at a sale hosted by Clarke and Simpson at the Oaksmere Hotel in Eye on Thursday, September 16, to benefit Blossom Charity, a local cause that helps women – and men – to achieve their life goals.

Thousands of people have descended on the city to glimpse the sculptures through a path designed to represent the way forward as the UK emerges from the pandemic. The initiative was hailed as a runaway success – but the trail ended on Saturday, September 10.

Among the spectacular exhibits, the AstraZenecHare by artist Karen Turner represents the hope that science and vaccine have given to the world – with many works depicting everything that happened during the pandemic. In 2019, the city’s first Sheep Art Trail raised £ 40,000 at auction and organizers hope to reflect its success this year.

Blossom Charity Founder Bridget McIntyre said: “I was so excited to see the fabulous sculptures that have been created. Based on the reaction we received in Eye, there will be a lot of interest and a lot of bidding at the auction.


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“When we decided to organize the trail, we were hoping that the impact would be to bring a lot of people to our charming market town, to please families who could not spend their vacation this year and also to collect funds for our charity. We are confident that the first two goals have been achieved and we are optimistic about the last.

Jackie Ordish – who organized the course – added: “We are very grateful to everyone who has supported us so far and we know that our sculptures are generating a lot of interest. “

Artist Nicola Warner, who painted one of the sculptures, said: “As a mixed media artist who creates layered and energetic work focused on flowers and country life, I have been delighted to be sponsored by Clarke and Simpson to paint a hare sculpture for the Blossom. Charity.

“Luna’s design comes from the folklore surrounding hares and features three golden crescent moons and a golden full moon on the forehead. The layered grass she sits in, right down to the dark starry night sky over her body, is due to my usual layered style. Luna was a joy to paint, and I hope she will raise much needed funds for the charity to continue her vital work. “

The auction website – launched in partnership with Clarke and Simpson and the-saleroom.com – has gone live and people can bid now if they can’t attend the event. The website will remain open and offer live auctions while the auction is going on, so no one should miss.

Auctioneer Hayden Foster – who will wield the hammer that day – said Clarke and Simpson were “thrilled” to once again be both sponsor and auctioneer of an auction for the charity , “Who does a great job of improving the lives of men and women across Suffolk County”.

“There has always been a great atmosphere at previous auctions, and we hope that after giving so much joy to the people of Eye, the sculptures are selling for high prices to facilitate as much good work as possible.” , did he declare.

Go to www.eyesculpturetrail.co.uk for details on how to buy tickets and place bids.

For those wishing to attend the event Oaksmere tickets are priced at £ 15.

The Blossom Charity aims to instill confidence in women and men through one-on-one coaching, workshops and style consultations so that they can make lasting changes in their lives. The money raised from the auction will help this work continue and grow.

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KAWS: “When someone looks at my work and talks about ‘street art’, I wonder what they’re looking at” https://artlini.net/kaws-when-someone-looks-at-my-work-and-talks-about-street-art-i-wonder-what-theyre-looking-at/ Sun, 12 Sep 2021 05:04:35 +0000 https://artlini.net/kaws-when-someone-looks-at-my-work-and-talks-about-street-art-i-wonder-what-theyre-looking-at/

Ask KAWS about his influences and he will draw up a list of 20th century and contemporary artists, most of whom have recognizable graphic styles: “Martín Ramírez. Eugene Von Bruenchenhein. HC Westermann. Chris Johanson. Harry Dodge. Robert Crumb. Peter Saul. He pauses. “Look, that’s all. Ken Prix. Lee Quiñones. Joyce Pensato…” It’s a vast body of knowledge that belies any notion that KAWS is somehow not a “serious” artist because “he works with brands. When I put the names of three artists mentioned as comparisons to him in other profiles, he is incredulous.” Can you promise to give up everything you read? “

The same goes for the labels attached to what it does. “I went from being a graffiti artist to being a street artist,” he says, “and those were just other people’s words. Was the street-art label therefore an attempt by commercial galleries to legitimize graffiti? “Honestly, when someone looks at my work now and talks about ‘street art’, I just wonder what they’re looking at. I’m not offended. I just feel bad that they are so visionary.

It makes sense. The world changed years ago, as did the practice of KAWS. The difference between shop, street and gallery is now minimal. In the catalog of a new retrospective of his work published by the Brooklyn Museum, What a party, curator Anne Pasternak writes of how “the practice of KAWS recognizes that works of art can occupy multiple domains – the aesthetic and the transcendent, the commodified and the free.” This is certainly true, but it would perhaps be more accurate to describe his work as occupying all fields at once.

In 1995, if KAWS launched a label on the side of a Jersey City skate store, chances are no one outside of Jersey City would ever see it. Now he could make a limited run of sweatshirts with that same store, and they could be in the hands of a teenager in Singapore in a matter of hours. His work is hyper-commodified and totally global and although the context may change, the iconography – the Companions and references to pop culture – remains the same. And this global appeal is seen in the way the reception of his work has become more consistent over the past two decades. Where once, he says, streetwear brands in Japan were more willing than American brands to collaborate with an artist on a garment, now there is no noticeable difference. “I don’t think there is a brand that doesn’t really approach artists at this point.”

Pasternak, the museum’s curator, then notes KAWS ‘three million followers on Instagram. His production is about as online as art can be without being literally virtual, and he has always been quick to embrace new media to raise his profile and distribute the work (even as early as 1996, says KAWS, he was active early online bulletin boards on Graffiti Art Crimes and 12ozProphet. “I remember kids like, ‘You’re crazy talking about what you’re doing online, because you’re going to get arrested'”).

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Amazing 9ft wide painting among works for sale https://artlini.net/amazing-9ft-wide-painting-among-works-for-sale/ Sun, 12 Sep 2021 05:00:00 +0000 https://artlini.net/amazing-9ft-wide-painting-among-works-for-sale/ A COLLECTION of images over the centuries taken from an English country house go under the hammer.

The pieces, featuring a range of works from several centuries, will be sold at the two-day Chartreuse auction in October.

There are religious paintings and classical engravings from the 18th and 19th centuries, but it is the images from the 20th and 21st centuries that should generate the most interest.

Dating from the early 20th century, there is a large oil painting of Nice, France.

Painted by Gaston Boissier and measuring 6.5 feet wide, it depicts interwar life on the Promenade des Anglais on a beautiful summer day and is estimated at between £ 5,000 and £ 7,000.

At the end of the 20th century, there is an oil painting by Argentinian artist William Petty.

Chard & Ilminster News: LOT: William Petty's Polo Fury, oil on canvas - £ 300- £ 500

He is best known for his sports photos with the Chartreuse painting titled “Polo Fury” and estimated between £ 300 and £ 500.

In the 21st century, two modern artists take center stage.

A Russell Young silkscreen print on canvas by Elvis Presley, numbered 35 of a limited edition of just 50 from his Mug Shot series, Elvis seeks to leave the building estimated at £ 1,000-2,000.

Chard & Ilminster News: LOT: Russell Young, Elvis, Mug Shot series, silkscreen on canvas - £ 1,000 to £ 2,000

Also estimated at between £ 1,000 and £ 2,000 is a large photograph by Alistair Morrison titled “The Actors Last Supper” based on Leonardo da Vinci’s famous photo of “The Last Supper”.

Measuring over 9 feet wide, the original photograph was exhibited at the National Portrait Gallery with great success and caused a sensation in 2012.

Robert Powell is portrayed as Jesus, with his followers including Colin Firth, Tom Conti, Michael Gambon, Steven Berkoff, Tim Piggot-Smith and Sir Antony Sher with Julie Walters as Mary Magdalene.

Chard & Ilminster News: LOT: The Actors Last Supper by Alistair Morrison - £ 1,000 to £ 2,000

“It’s certainly an eclectic selection of images showing how the taste of the collection has changed over the decades,” said Richard Bromell of Charterhouse.

“While my house has a lot of traditional art hanging on its walls, I have to admit I love some of the more modern artwork on this property.”

Charterhouse is now accepting entries for their upcoming auctions with photos, books and antiques on October 7, Beswick, Doulton and antiques on October 8, classic and vintage cars at the Haynes International Motor Museum on Tuesday October 5, with classic and vintage motorcycles, also in Haynes, Thursday, October 14.

Richard Bromell and the Charterhouse team can be contacted for advice and feedback or for a free in-home visit to The Long Street Salerooms, Sherborne, on 01935 812277, by email at info@charterhouse-auction.com or via www.charterhouse-auction. com.

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11 unfinished and unreleased films https://artlini.net/11-unfinished-and-unreleased-films/ Sat, 11 Sep 2021 20:23:27 +0000 https://artlini.net/11-unfinished-and-unreleased-films/

There is a truism in Hollywood that no one wants to make a bad movie. Likewise, no one intends to start a movie that they can’t – or won’t – finish. Yet the history of cinema has seen a litany of directors and studios who have failed to complete their project. One of the most famous is Orson Welles, whose film The other side of the wind languished for decades before being finished by his friend and colleague director Peter Bogdanovich and make his debut on Netflix in 2018.

Take a look at other examples of unfinished, unreleased, or unspooled movies.

1. Revenge of the nerds

You probably remember the original Revenge of the nerds from 1984 as a rowdy comedy about a group of fraternity brothers who intimidate the geek brain of fictional Adams College and where a character nicknamed “Booger” aided in the titular revenge. What you might not know is that a remake has been partially filmed in 2006, before production ceased. The update featured Adam Brody (CO) and Jenna Dewan and was directed by Kyle Newman (2009’s Fanboys). The movie had issues from the start, with Emory University to oppose it to the script and the filmmakers being forced to find a new location at short notice. After filming for two weeks, the executives of the Fox Atomic studio felt the film seemed too “small” and decided that the project was not going as they had hoped. Filming was halted, the cast and crew were compensated, and the nerds and jocks went their separate ways. Seth MacFarlane (family guy) is set to produce another remake with Keith Lucas and Kenny Lucas (2014 22 rue du saut).

2. Empires of the Deep

Hailed like that of China reply to the epic of James Cameron Avatar (2009), Empires of the Deep perhaps the most expensive film to ever see the light of day. Apparently centered on a war between underwater realms with mermaids and crabs, the effects-rich 3D feature has passed through at least four directors – at one point, The Empire Strikes Back director Irvin Kershner was involved – and an inflated budget of $ 130 million, much of it provided by a real estate mogul named Jon Jiang. (He also wrote the script.) The net result was a disappointing trailer that offers a glimpse of a somewhat sloppy production. Empires of the Deep was screened once in North America in 2014 on the Sony Pictures pitch, where it apparently met a lukewarm reception. Jiang later said to the atavist writer Mitch Moxley that funds were needed to complete the effects. It was in 2016.

3. The American

Director J. Stuart Blackton Recount press it The American, also known as The Flag Maker, was a film suggested to him by none other than President (and Blackton’s neighbor) Theodore Roosevelt. Regardless, the silent western was filmed but never aired. The film was made using a new process known as Natural Vision, which was a first attempt at presentation on the big screen. But that decision turned out to be the loss of the film. For one thing, Blackton didn’t have a Natural Vision projector on set, so he had to shoot a cover using a conventional second camera in order to watch the dailies. By the time The American was screened in its entirety, the big screen effect was clearly disappointing, with critics calling it “poorly done”. There is no record that has ever been released.

Blackton, a pioneering filmmaker who was one of the first contributors to animated feature films, ended up losing money in the stock market crash of 1929. He deceased after being hit by a car in 1941.

4. Bogart slept here

Robert De Niro is widely regarded as one of the best film actors of the 20th century. But in 1975, he was fired from Bogart slept here, a lightweight comedy-drama directed by Mike Nichols and written by Neil Simon. De Niro was playing an actor who stumbles into stardom; Marsha Mason portrayed his wife. Of all accounts, De Niro, who had just completed the disturbing psychological study Taxi driver (1976) only a few days earlier, could not understand Simon’s written sensitivities. Nichols suggested to Warner Bros. to fire De Niro and recast the role. De Niro would have been furious at the situation. When no suitable replacement was found, the project was abandoned. Some of the material has been reworked in Simon’s The girl goodbye (1977), which starred Mason and Richard Dreyfuss.

5. Divine rapture

Setting up a production with Johnny Depp, Marlon Brando and Debra Winger seems a safe bet. Corn Divine rapture, shot in 1995, needed divine intervention to be successful. Shot on the small island of Ballycotton in Ireland, the film was to tell the story of story of a woman named Mary (Winger) who “resurrects” from the dead at her own funeral. (In fact, she had only experienced one heart problem.) Brando was to be a priest, while Depp played the role of a reporter sent to town to investigate. After two weeks of filming, the film’s financier, a company named CineFin, ran into legal trouble. When Winger’s agent went to collect his fees, the agent discovered that CineFin’s address was a parking lot.

CineFin directors insisted they needed papers from Orion Pictures, the distributor, to continue. The film never recovered, although it wasn’t a total loss for Brando. The actor requested – and received – $ 1 million in advance.

6. The overcoat

Directors like Stanley Kubrick are often seen as perfectionists, but even Kubrick can’t compare to Yuri Norstein. The Russian animator worked on a film titled The overcoat for 40 years and appears don’t be in a hurry to finish it. Based on a short story by author Nikolai Gogol about a man’s obsession with a particular garment, The overcoat features hand-drawn animation overlaid on glass panels. This painstaking process only produced 20 minutes of footage in the first 20 years Norstein worked on it. The work involved has successful in a film, but not the one Norstein intends to end up finishing: in 2021, a documentary, Make the overcoat, created. You can see part of the animated film in the documentary trailer above.

7. Hippie Hippie Shake

Shot in 2007 with an impressive cast including Cillian Murphy and Sienna Miller, Hippie Hippie Shake details the emergence of the 1960s magazine counterculture ounce. Murphy played ounce co-founder Richard Neville; Miller was his girlfriend, Louise Ferrier. Director Beeban Kidron and her husband, screenwriter Lee Hall, both left the project before it was finished. No one seems quite sure what happened, although Miller once hinted that tax issues between the US and UK would prevent the Universal distributor from making a profit on the film.

8. The king of shadows

Directed by Henry Selick (2009’s Coraline), The king of shadows promised a dark and humorous story of a boy appointed Hap Dagger who can summon shadow creatures with his hands and must face a monster using his new army. It was meant to be Pixaris the first foray into stop-motion animation. But Selick and Disney reportedly clashed over the film’s development, and production was halted after it was only partially completed. Selick attempted to continue the film with German company K5 International, but there has been little news about it since 2013.

9. The monster

Intended to be the final film by silent movie star and director Charlie Chaplin, The monster never made it past the pre-production stage due to the actor’s death in 1977. But what was left seemed offer lots of potential. The monster tells the story of Serapha, a woman born with wings who sees her unique character trait used by others for financial gain. Chaplin intended to have his own daughter, Victoria Chaplin, to play Serapha, and he spent a decade working on screenplay, storyboards, and ways to achieve the ambitious visual effects. He also intended to appear in a cameo role.

ten. Grizzly II: Vengeance

Shot in Hungary and with future stars Charlie Sheen, Laura Dern and George Clooney, this 1976 Bearsplotation sequel grizzly had all the makings of a drive-through success. The three play friends who embarked on an outdoor music festival and ran into a grizzly bear instead. Despite this promising plot, the project never seemed to merge into a releasable project. The funds dried up, which meant more effects of the bear attack remained unfinished. At one point, the 8-foot animatronic bear intended to strike fear into the hearts of moviegoers went faded away.

The film ended up arriving in 68 minutes and sat on a shelf for almost 40 years until producer Suzanne C. Nagy and GBGB International scooped up what they could and gave it direct output on video and in drive-in in early 2021. The film still missing the bear attack scenes it was originally intended, so it’s not exactly a finished product. But, according to Nagy, “it’s watchable.”

11. Waterman movie

Prior to Leslie Nielsen’s death in 2010, the actor, best known for his unmoved portrayal of Frank Drebin in The naked gun franchise-completed a voice over role in Waterman movie. The Flash animated comedy directed by Bryan Waterman was to feature Nielsen as the goofy explorer Ready Espanoza. But Waterman ran into budget constraints, and the film ended with just two minutes of footage completed.


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The arts group supports Katie Rose https://artlini.net/the-arts-group-supports-katie-rose/ Thu, 09 Sep 2021 06:04:32 +0000 https://artlini.net/the-arts-group-supports-katie-rose/

By Jim Fagan

The compassionate care at Katie Rose Cottage Hospice in Doonan is again this year supported by the Tinbeerwah Art Group.

For three days from Friday September 17, the 70 artists of the group will open their hearts and their talents to Katie Rose with a share of the sales of their works at the show, an entry fee in gold and the raffle of two paintings donated by member Avril Hare, plus a gift basket from Smyths Hairdressing, Noosaville.

The group’s annual exhibit is dedicated to the memory of the late Gwen Blair who founded TAG in 1994, making them one of the oldest arts groups on the Sunshine Coast.

Each year, members support a local charity, and in recent years the group has donated over $ 6,000 to causes such as the War Widows Guild, Thursday Girls and Katie Rose Cottage Hospice.

“Our motto this year has been ‘Keep Calm and Paint On’. Despite the restrictions of Covid-19, our artists have been busy preparing the show, ”said Jan Cooke, committee member.

“This year’s art show will be our biggest and best ever. Talented guest professors like Trevor Purvis, Naida Ginnane, Helen Lawson, Fiona Groome, Dale Leach, Pam Taylor, Pam Miller, Clare Riddington-Jones, Tricia Taylor, Anne Yang and Lizzie Conno allowed members to try out new techniques and to develop their skills in different mediums.

“We encourage artists of all levels. Our members range from complete beginners to award-winning artists. We paint in a variety of mediums – acrylic, watercolor, oil, pastel, charcoal and pencil, collage and mixed media.

“Members are encouraged to develop their own unique styles. Our work can be viewed on our Facebook page.

“Due to the restrictions, there will be no gala opening but the exhibition will be just as spectacular as in previous years. There will be paintings for all tastes, all for sale at reasonable prices, ”said Jan.

The Tinbeerwah Art Group annual art exhibition will be held in Tinbeerwah Hall at the corner of Sunrise and Noosa-Cooroy roads, Tinbeerwah, on Friday September 17, noon to 5 p.m., Saturday September 18, 9 a.m. to 4:30 p.m., Sunday, September 19, at 9:30 a.m. am – 3 p.m. The Covid-19 guidelines will apply.

For more information contact Jan Cooke at 5473 0235 or 0412 769 351 or by email at cookeandbutler@aapt.net.au

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Night & Day // September 9-15, 2021 https://artlini.net/night-day-september-9-15-2021/ Thu, 09 Sep 2021 00:22:15 +0000 https://artlini.net/night-day-september-9-15-2021/

Thursday, September 8, 2021

While Texas Frightmare Weekend – happening Sat-Sun – is already full, you can still enjoy a bit of the old ultra-violence at a 4K restoration screening of A clockwork orange To Texas theater (231 W Jefferson Blvd, Dallas, 214-948-1546) at 8 p.m. To celebrate the 50th anniversary of the classic Stanley Kubrick film and the return of TFW, actor Malcolm McDowell will be doing a special introduction to the film and a Q&A afterwards. (However, he won’t be signing autographs. For that, you’ll need to find him at his TFW booth.) Tickets are $ 20 at TheTexasTheatre.com.

Friday, September 9, 2021

At 4 p.m., 6 p.m. or 8 p.m. tonight, plus noon Sat or noon and 2 p.m. Sun, see Final set to Fort Worth Museum of Modern Art (3200 Darnell St, Fort Worth, 817-738-9215) as part of the Magnolia au Moderne series. Tickets are $ 7-10 depending on your membership level, and the Sunday lunchtime screening is half price. In this 95 minute French film with English subtitles, the main character was once renowned as a tennis prodigy but never managed to do so professionally. At the late age (for sport) of 37 years and despite a declining physical form, he decided to make a last run by participating in the qualifying rounds of Roland-Garros.

Saturday, September 10, 2021

Twice a year, the Fort Worth Art Dealers Association (FWADA) invites the public to experience the visual arts for free at Gallery Night. Most of the participating galleries will be open from noon to 9 p.m. for Fall gallery night. Stroll through galleries, museums, restaurants, and retailers, and admire the work of local artists in each location. For more details, visit FWADA.com/Page.

Sunday, September 11, 2021

The end is here. At midnight, the ballot will be closed and the vote will end for Best of 2021. At this point, we’ll start the tallying process on our fingers and toes before sending the results to Bob’s accounting office for publication in our Wednesday, September 22 issue. For your ballot to be valid, you must vote in at least 10 categories. Now is your chance to show some love to all your local favorites in the Get & Spend, People & Places, Culture, Great Food, and In Town sections. The ballot is online only and can be found at FFWeekly.com under the “Magazines” scrolling menu.

Monday, September 12, 2021

From 6.30 p.m. to 7.30 p.m., meet anglophile and former British resident Claire Evans from Fort Worth Public Library (500 W 3rd St, 817-392-7323, @FortWorthLibrary) for The Politics of Tea: The East India Company and British Tea Culture. This exploration of the most lucrative corporate business the world has ever seen – tea – is free through Facebook Live. Learn about the British tea-infused company and what to expect if you ever find yourself at the tea party. A question-and-answer session will follow the presentation.

Tuesday, September 13, 2021

As part of a one-of-a-kind collaborative effort between the Arlington Police Department and the City of Arlington Parks and Recreation Department, the public is invited to attend the Hoops with heroes basketball game and meet the local police in person (on purpose and for fun). At 6 p.m., a group of local athletes will face off against a team of Arlington’s best at the East Arlington Library & Recreation Center (1817 New York Av, Arlington, 817-275-1361). Free entry. Concessions will be available for purchase.

Wednesday, September 14, 2021

From 5:30 p.m. to 7:30 p.m., meet at Margarita Ball Fashion Show To Billy Bob’s Texas (2520 Rodeo Plz, Fort Worth, 817-624-7117). This event benefits Fort Worth Children’s Charities, a local non-profit organization that provides new Christmas toys, school uniforms, and educational and therapeutic resources to improve the quality of life for children in the community. Over 20 local celebrity models will showcase Margarita Ball-inspired looks, from traditional black-tie evening wear to modern / chic clothing with a Western twist, all provided by Watchamacalit Boutique, Men’s Wearhouse, and more. Admission is free, but donations are appreciated. There will be live auctions throughout the program, with proceeds going directly to CCFW.

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The WazirX brand is betting big on NFT enthusiasts https://artlini.net/the-wazirx-brand-is-betting-big-on-nft-enthusiasts/ Wed, 08 Sep 2021 23:20:05 +0000 https://artlini.net/the-wazirx-brand-is-betting-big-on-nft-enthusiasts/ Chennai:

A pioneer of the NFT segment in India and South Asia, it provides a credible space for creators and collectors to acquire and exchange unique and exclusive works of art. Currently in beta, a total of 3,208 NFTs have been issued on the platform, of which 1,068 were sold through a fixed price model and 204 through an auction model, according to a statement.

The WazirX NFT Marketplace recently rolled out the auction functionality through the Ritviz and Nucleya collaboration, which was a game-changer in the NFT space. Blockchain-based auctions are a global affair that opens up these creators to the international market. From this moment, the market enters its secondary phase. With the introduction of new features to the market, we are seeing more and more designers and collectors getting on the bandwagon. WazirX NFT opens up a plethora of perspectives, and that is why it can be an exciting invitation to get the first shot at such an incredible opportunity.

In the secondary phase, the WazirX NFt Marketplace will commemorate the first 1,000 NFTs sold on the platform and these creators will earn a badge against their profiles. Through this badge, it aims to celebrate the works of art that have marked the history of this segment. Additionally, the aftermarket allows the secondary sale royalty rights to the original creator of the NFT art, which is a way to passively earn as an NFT artist.

Home to 323 creators, the platform develops unique cases by hosting digital collectibles from some of India’s top artists including Prasad Bhat, Satish Acharya, Priya Malik, Ishita Banerjee. It also hosted India’s first Augmented Reality (AR) + NFT Art Gallery exhibition by Sneha Chakraborty. The platform has also seen the participation of brands like Sunburn and RitvizXNucleya.

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