Gallery auctions – Art Lini http://artlini.net/ Thu, 16 Sep 2021 11:44:23 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://artlini.net/wp-content/uploads/2021/04/cropped-icon-32x32.png Gallery auctions – Art Lini http://artlini.net/ 32 32 From Amitabh Bachchan to students, creators bet their talent on non-fungible tokens https://artlini.net/from-amitabh-bachchan-to-students-creators-bet-their-talent-on-non-fungible-tokens/ Thu, 16 Sep 2021 04:28:56 +0000 https://artlini.net/from-amitabh-bachchan-to-students-creators-bet-their-talent-on-non-fungible-tokens/

What is common between superstar Amitabh Bachchan and a 20-year-old artist couple. No, it’s not just that they like the movies. It’s not even that they hope to make a living from their profession. This is because artists, young and old, now think that NFTs or non-fungible tokens will help them better monetize their talent.

NFTs became a rage earlier this year after a digital artist named Beeple sold his art for $ 69 million. They have continued to earn change ever since.

The fundamental purpose of an NFT is to present proof of ownership by floating creative work on a blockchain ledger. Also called tokenization, the process creates a transaction log, which makes it easier to transfer or resell the NFT. Ethereum is currently the most popular blockchain for NFT minting due to its smart contract capabilities.

In recent months, NFTs have gained the attention of creators, whether in the art world or in the film and sports communities.

Bachchan, for example, will be auctioning NFTs that include artwork around him and his life in November. He will also be auctioning NFTs of him reciting poems by his father Harivansh Rai Bachchan on Beyondlife.club.

It’s not just well-known artists like Bachchan who are turning to NFTs.

Virti Jain, 20, and Ninad Lokhandkar, 21, stumbled upon the idea of ​​an NFT in early February 2021. The Mumbai-based duo did not fully understand how a blockchain works, but several successful NFT sales by young artists encouraged them to give it a go. The Internet has served as a level playing field for them to compete with better-known artists.

After some research, the duo decided to take the first step and register with an Indian crypto exchange.

The first three designs that were sold barely made them a few dollars. However, it slowly picked up and the duo eventually managed to sell a piece called ‘Nandi – The divinity who gives’ for $ 225. While those numbers may seem small compared to Beeple’s $ 69 million, it doesn’t hurt to have a little extra cash to spend.

“We’re students, so it’s not a full time for us,” they told BloombergQuint. “But it gives us a great opportunity to try new things, to explore and gradually find our place in the industry.”

Previously, art galleries, exhibitions or social media ads were often the only way to get noticed, the duo said. However, third-party markets are drastically changing that and making it easier for collectors to discover us, they added.

Star artist Karan Kalra has also failed to sell all of his creations. But his “Organized chaos: Delhi” went under the hammer for $ 2,010 (around Rs 1.48 lakh).

Karan is now convinced and said that NFTs can be a lasting solution for artists.

Create value from scratch

The NFTs also help to push the definition of art a little further. From fine art and digital art to music, sound and sports, everything has the potential to become a valuable NFT.

Amrit Pal Singh, a 31-year-old 3D illustrator and art director from New Delhi, sold two works of art for $ 24,000 (around Rs 18 lakh) in February. Both pieces featured a toy face inspired by electronic music duo Daft Punk. It has sold many more toy faces as NFT on Foundation, a marketplace where auctions are held, and payment is mostly made in Ether, the currency of the Ethereum blockchain.

“It is essential to have something unique in your work so that it has inherent value. Therefore, I have focused on collectibles such as an entire ‘Toy Faces’ collection containing 26 avatars” , did he declare.

What size? How sustainable?

There is little information on the size of the NFT segment in India.

According to WazirX, whose platform is currently the most used for NFTs, it has over 300 creators listed with more than 3,200 NFTs created. The creator-to-collector ratio is 1.49, which means there are currently more people selling NFTs than they are buying.

It doesn’t take much to create an NFT. The cost is only $ 1 on the platform, compared to Ethereum’s fee which rose to almost $ 60 in mid-September. WazirX is expected to launch a secondary market soon, where resale will be possible and artists will be able to get a share of each sale.

At the moment, the market is thin.

“There are only a handful of creators available in markets like WazirX. That’s because they haven’t established a secondary market for resale yet,” Singh said. The WazirX platform, he said, is not based on the Ethereum blockchain and this becomes a limiting factor for creators wishing to reach a global audience.

The NFT space is also still controlled by “pinball machines”. Reversal is the process of actively trading NFTs to make quick money using intraday strategies or buy today, sell tomorrow (BTST).

In addition, the lack of regulation around cryptocurrencies, more broadly, remains a challenge.

“The law is not very clear. We don’t know if Bitcoin can be accepted as a legal payment method in the country, and if someone buys an NFT abroad, it is technically considered an export,” said Indrajit Chatterjee, curator of Mumbai-based auction house and gallery, Prinseps. “Additionally, cryptocurrencies are extremely volatile, making it difficult to assess a coin’s value in real time.”

Chatterjee said that until regulatory hurdles are removed, the auction house will accept fiat money payments and then mint the coin in NFT. He explained that NFTs simply use a blockchain’s smart contract system, and transactions can be settled in traditional currencies.

Whether NFTs turn out to be a bubble or lasting change, Chatterjee suggests that creators focus on what they do best: creating. Beeple has been making art for two decades, and that’s what got him a record-breaking bid, he said. “NFTs are just a new means of distribution.”

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The WazirX brand is betting big on NFT enthusiasts https://artlini.net/the-wazirx-brand-is-betting-big-on-nft-enthusiasts/ Wed, 08 Sep 2021 23:20:05 +0000 https://artlini.net/the-wazirx-brand-is-betting-big-on-nft-enthusiasts/ Chennai:

A pioneer of the NFT segment in India and South Asia, it provides a credible space for creators and collectors to acquire and exchange unique and exclusive works of art. Currently in beta, a total of 3,208 NFTs have been issued on the platform, of which 1,068 were sold through a fixed price model and 204 through an auction model, according to a statement.

The WazirX NFT Marketplace recently rolled out the auction functionality through the Ritviz and Nucleya collaboration, which was a game-changer in the NFT space. Blockchain-based auctions are a global affair that opens up these creators to the international market. From this moment, the market enters its secondary phase. With the introduction of new features to the market, we are seeing more and more designers and collectors getting on the bandwagon. WazirX NFT opens up a plethora of perspectives, and that is why it can be an exciting invitation to get the first shot at such an incredible opportunity.

In the secondary phase, the WazirX NFt Marketplace will commemorate the first 1,000 NFTs sold on the platform and these creators will earn a badge against their profiles. Through this badge, it aims to celebrate the works of art that have marked the history of this segment. Additionally, the aftermarket allows the secondary sale royalty rights to the original creator of the NFT art, which is a way to passively earn as an NFT artist.

Home to 323 creators, the platform develops unique cases by hosting digital collectibles from some of India’s top artists including Prasad Bhat, Satish Acharya, Priya Malik, Ishita Banerjee. It also hosted India’s first Augmented Reality (AR) + NFT Art Gallery exhibition by Sneha Chakraborty. The platform has also seen the participation of brands like Sunburn and RitvizXNucleya.

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The wacky rise of NFT art collectors https://artlini.net/the-wacky-rise-of-nft-art-collectors/ Sat, 04 Sep 2021 05:00:00 +0000 https://artlini.net/the-wacky-rise-of-nft-art-collectors/

Pablo Rodriguez-Fraile is shaking things up. It’s not that he doesn’t like his current Miami home. It’s more that he needs a place where he can make the most of his art collection. “The new house is going to have 15 or 16 screens all around and projectors,” said Rodriguez-Fraile, a 33-year-old Spaniard with a background in finance. This is because his collection does not consist of sculptures, paintings or engravings, but non-fungible tokens – or NFTs – unique cryptographic files that collectors regard as proof of ownership of digital works of art such as coins. computer-designed videos, gifs or images.

Anyone can right-click and download the artwork with which an NFT is associated; but people who, like Rodriguez-Fraile, buy the tokens in online auctions for cryptocurrency sums are swinging, say they feel like the only ones real the owners. That’s why Rodriguez-Fraile looks forward to spending his days surrounded by screens constantly displaying his purchases.

Rodriguez-Fraile’s work as a patron of the cryptographic arts, however, extends beyond his living room: he is currently working on opening several digital art showrooms around the world (the first, says -it, will launch in Miami in the second half of 2021). And his efforts transcend even the physical realm, as he is one of the founders of MOCA (Museum of Crypto Art), an NFT-backed art gallery hosted on a virtual reality platform. “The best thing about these digital works of art is that we can travel with them, we can take them anywhere we want, we can present them to people all over the world,” he says. “If you own a very beautiful Picasso masterpiece, everyone knows you have it, but very few people will be able to see it.”

The NFT art scene has gotten blazingly fast: An NFT linked to a collage by American digital artist Beeple sold for $ 69,346,250 in cryptocurrency at a Christie’s auction in March 2021. Rodriguez- Fraile says he’s twice spent $ 1million on an NFT – on works by visual artists Pak and WhIsBe – and in March he made headlines after reselling one of his pieces, a Beeple video. of 38 seconds, for over $ 6 million. For many, this is just the usual boom and bust cycle of all modes adjacent to cryptocurrency – pointing out that almost all collectors are wealthy cryptocurrency entrepreneurs, and as of June 2021, NFT’s sales had slumped to less eye-catching levels. Others believe that regardless of the price swings and buzz, NFT art is here to stay. Vincent Harrison, a Los Angeles-based art gallery owner who has worked with artists and NFT platforms, says digital art collectors are no different from those who splurge on Tintorettos and Jeff Koons.

“It’s the same collector’s mentality. The beauty of digital art is that people don’t have to stop collecting because they never run out of space, ”he says. not to be put on the wall: they have it in reserve. But they still collect just because they love art.

Rodriguez-Fraile, in fact, defines himself as a collector at heart: he carefully chooses his pieces guided by his aesthetic sense and the artist’s mark, and he cultivates friendly relations with the creators whose work he loves. “It’s never, ever a monetary thought,” he says. He even says that while he could hardly qualify himself as an art collector before his trip to NFT space – he was familiar with cryptocurrency, on the other hand – the experience heightened his love of “l ‘traditional art’: In May, he bought a portrait of David Bowie by Elizabeth Peyton from Sotheby’s for $ 2 million. For others in this space, the NFT drive is either a nuanced undertaking imbued with revolutionary undertones or an unnecessary financial rat race.

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Sikorski’s attic | The reader’s ashtray was made by the famous Brazilian sculptor | Home and outdoor living https://artlini.net/sikorskis-attic-the-readers-ashtray-was-made-by-the-famous-brazilian-sculptor-home-and-outdoor-living/ Sun, 29 Aug 2021 04:15:00 +0000 https://artlini.net/sikorskis-attic-the-readers-ashtray-was-made-by-the-famous-brazilian-sculptor-home-and-outdoor-living/

Dear John: I’ve had this ashtray on a shelf in my garage for some time. It measures 8 1/2 inches by 8 1/2 and has never been used. While cleaning the garage, I picked it up and the bracket came off. I noticed the name and Googled it.

It was made by the famous sculptor Francisco Brennand from Recife, Brazil. The ashtray was manufactured in 1972. Google could not find any information on this subject. Hope you can find more information. – KR, internet

Dear KR: Francisco Brennand was born in Racife, Brazil in 1927 and recently passed away in 2019. He produced prints, paintings and his specialty was architectural ceramics. The ashtray you have is stoneware. There are several websites that show its gallery of museum ceramics and decorated landscaped gardens which are most impressive.

Get more from the Citrus County Chronicle

Generally speaking, it is only long after the death of an artist that a collectors’ market develops. Now is not the time to sell your tile due to a lack of interest from collectors. The potential dollar value is the catch like the catch can.

Dear John: I inherited a few pieces of cinnabar from a family member. What is the best way to have them evaluated? I live in the Chicago area. I would appreciate any help you could offer. – BJP, internet

Dear BJP: Cinnabar is made by applying layers of lacquer one by one, creating a thick layer that is sculpted into intricate scenes. It is used in decorative items, vases, etc. for hundreds of years in China and Japan. Reproductions have been produced for over 100 years.

Cinnabar vases and objects have been a collector’s category for decades. Prices range from a few hundred to thousands of dollars depending on quality, age, and condition.

I suggest you contact Hindman Auctions, owned by Leslie Hindman. She has made numerous appearances on the Antiques Roadshow. Hindman Auctions is located at 1338 West Lake St., Chicago, Illinois. The phone number is 312-280-1212. The website is www.hindmanauctions.com. Good luck and let us know how things are going.

Dear John: I have a Coca-Cola clock. It is octagonal with a red neon around the dial and Coca Cola in the center of the dial. It is in working order. It was on the basement wall of a house I bought years ago in Michigan, so I don’t know. Are they collectible and are they worth anything? I am interested in selling it. – IF, internet

Dear IS: Yes, your Coca-Cola clock is of particular interest to collectors. It is probably worth hundreds of dollars maybe more. In order to help you out, I need good, clear photographs of the entire clock, face, and back of the clock. Make sure everything is readable in your photos. Then I will finish the story.

John Sikorski has been a professional in the antiques trade for 30 years. Send your questions to Sikorski’s Attic, PO Box 2513, Ocala, FL 34478 or asksikorski@aol.com.

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The Crescent City Auction Gallery’s Important September Estates Auction, September 11-12, features over 800 quality lots https://artlini.net/the-crescent-city-auction-gallerys-important-september-estates-auction-september-11-12-features-over-800-quality-lots/ Wed, 25 Aug 2021 16:40:00 +0000 https://artlini.net/the-crescent-city-auction-gallerys-important-september-estates-auction-september-11-12-features-over-800-quality-lots/

Circa 1965 oil on canvas board by Louisiana folk artist Clementine Hunter (1886-1988), titled Uncle Tom in the Garden with Little Eva, signed lower right (estimate: $ 4,000 – $ 8,000).

19th century oil painting on panel after Domenico Tintoretto (1560-1635), titled The Penitent Magdalene, 24 ½ inches high by 18 ½ inches wide (estimate: $ 1,000 to $ 2,000).

19th century oil painting on panel after Domenico Tintoretto (1560-1635), titled La Madeleine Penitente, measuring 24 ½ inches high by 18 ½ inches wide (estimate: $ 1,000 to $ 2,000).

Newcomb College Art Pottery Moon and Moss Baluster Vase, made in 1921 by Anna Frances Simpson, 10 inches tall (estimate: $ 4,500 to $ 6,500).

Newcomb College Fine Art Pottery Moon and Moss Baluster Vase, made in 1921 by Anna Frances Simpson, 10 inches high by 6 inches in diameter (estimate: $ 4,500 to $ 6,500).

Pair of late 19th century 12-light French bronze and alabaster chandeliers, 42 inches high (estimate: $ 800- $ 1200).

Pair of 12-light French chandeliers in bronze and alabaster from the end of the 19th century, 42 inches high and 39 ½ inches in diameter (estimate: $ 800- $ 1200).

18th century unsigned oil on panel painted in Antoine Watteau style (French, 1684-1721), titled Fete Galante Picnic, 17 ½ inches by 21 ¼ inches (estimate: $ 3,000 to $ 5,000).

18th century unsigned oil on panel painted in Antoine Watteau style (French, 1684-1721), titled Fete Galante Picnic, 17 ½ inches high by 21 ¼ inches wide (estimate: $ 3,000 to $ 5,000) .

The sale, both online and live in the New Orleans Gallery, will include Old Master paintings, works by local and regional artists, Newcomb College art pottery, and more.

NEW ORLEANS, LA, USA, Aug 25, 2021 /EINPresswire.com/ – The Crescent City Auction Gallery will welcome the busy fall season with a September Major Estates auction on Saturday and Sunday September 11-12 , from 10 a.m. central time on both days. Over 800 lots, drawn from leading estates and collections, will be auctioned, online and live in the gallery located at 1330 St. Charles Ave.

A large collection of Old Masters paintings will be on offer, led by a 19th century oil on cardboard after Domenico Tintoretto (1560-1635), titled La Madeleine penitente, measuring 24 ½ inches high by 18 ½ inches wide (estimate : $ 1,000 – $ 2,000). In addition, an unsigned 18th century oil on panel painted in the style of Antoine Watteau (French, 1684-1721), titled Fete Galante Picnic, 17 ½ inches high by 21 ¼ inches wide, bears an estimate of pre -sale of $ 3,000 to $ 5,000.

Famous Louisiana folk artist Clementine Hunter (1886-1988) will be featured twice in the auction, once with an oil on canvas boarded around 1965 titled Uncle Tom in the Garden with Little Eva, signed lower right and measuring 17 ¼ inches by 23 ¼ inches (estimate: $ 4,000 to $ 8,000); and again with an oil on canvas board, also painted around 1965, titled Cotton Harvest with African House, 17 ½ inches by 23 ½ inches. The work is expected to end between $ 3,000 and $ 5,000.

A Newcomb College Fine Art Pottery Moon and Moss Baluster Vase, made in 1921 by Anna Frances Simpson, measuring 10 inches high by 6 inches in diameter, is expected to change hands for $ 4,500 to $ 6,500. Additionally, a pair of late 19th century 12-light French bronze and alabaster chandeliers, 42 inches high and 39 ½ inches in diameter, has a pre-sale estimate of $ 800 to $ 1,200.

American furniture will be highlighted by a magnificent carved mahogany four-poster bed from the mid-19th century, measuring 90 inches high by 61 inches wide and 75 ½ inches deep (estimate: $ 800 to $ 1,200); and an iron and brass vanity and stool, a matching double bed and a blackened iron and brass floor lamp, by New Orleans craftsman Mario Villa (1953-2021) and sold in three separate lots.

The merchandise mix is ​​wide, with items ranging from a 20th century human medical or dental skull (estimate: $ 600 to $ 900); a group of four early 19th-century Andrew Jackson campaign ribbons (each estimated between $ 3,000 and $ 5,000); an Erard grand piano in antique brass inlaid with rosewood (estimate: $ 1,500 to $ 2,500); with pretty couture pieces from Louis Vuitton, Hermès and Chanel.

Original artwork by famous New Orleans artists and other regional artists is a staple at most Crescent City auctions, and this sale will be no exception. In addition to the aforementioned paintings by Clementine Hunter, the auction will also include an untitled oil on canvas by John T. Scott (New Orleans / Houston, 1940-2007) from the artist’s The Slum series (estimate : $ 4,000 – $ 8,000).

Other paintings by renowned artists from the region will include the following:

• An oil on canvas by James Michalopouolos (Pa./New Orleans, born 1951), titled New Orleans Center Hall Cottage (1988), signed lower left and signed and dated on verso, 27 ¾ inches high by 21 ¾ inches wide (estimate: $ 4,000 – $ 6,000).
• Another work by Michalopouolos, an oil on canvas titled Noting Passion (2004), signed lower left, signed and dated on the back, 40 inches by 29 ¾ inches (estimate: $ 2,000 – $ 4,000).
• A 20th century oil on panel by Clarence Millet (La., 1897-1959), titled Bayou Bridge, signed lower right and titled on the back, 15 inches by 18 inches (estimate: $ 3,000 – $ 5,000) .
• An acrylic on Masonite by Noel Rockmore (New Orleans, 1928-1995), titled Stovall Son (1969), artist signed, dated and titled, 12 ¾ inches by 7 inches (estimate: $ 1,500 – $ 2,500).
• A mixed media on paper by Roy Ferdinand (New Orleans, 1959-2004), titled Voodoo Priestess in a Cemetery, unsigned, 27 inches by 21 inches (estimate: $ 1,000 – $ 2,000).

From France, an oil on canvas by Louis Charles Bombled (1862-1927) from the end of the 19th and the beginning of the 20th century, entitled Napoleon and the French cavalry during the Russian campaign in winter, signed lower left, should reach $ 1,000 to $ 2,000; and a 19th century Louis Philippe carved mahogany chest of drawers from the French province, measuring 37 ¼ inches high and 50 ½ inches wide, is expected to cost between $ 600 and $ 900.

Other notable furniture lots include a 19th century Chinese carved mixed wood four poster bed with alcove (estimate: $ 2,500 – $ 4,500); a four-piece Baker Biedermeier style living room in ebony inlaid with burr walnut consisting of a sofa, matching armchair, two-drawer lamp table and matching oval coffee table (estimate: 1,500 $ to $ 2,500); and a 19th century Dutch carved mahogany cantilever cylinder desk, 42 ​​¾ inches high by 52 inches wide (estimate: $ 600 to $ 900).

Rounding out this short list of some of the best expected lots is a set of 92 sterling silver cutlery from Reed and Barton in the Francis I model, with a total weight of 83.6 troy ounces. (estimate: $ 3,000 – $ 5,000); and a large 20th century patinated bronze erotic figurative garden group of a seated satyr and a naked woman, measuring 58 inches high by 22 inches wide (estimate: $ 500 to $ 1,000).

Openings of the exhibition will take place daily (except Saturday, Sunday and Labor Day), by appointment only, in the Crescent City Gallery, starting Thursday, September 2. A preview on Saturday, September 4 will take place from 9 a.m. to 1 p.m. Central time. To schedule a preview appointment, call 504-529-5057, or email info@crescentcityauctiongallery.com COVID-19 protocols will be strictly enforced.

Internet auctions will be provided by LiveAuctioneers.com, Invaluable.com and BidSquare.com. Mail order and telephone auctions will be accepted until 1:00 p.m. Central Time on Friday, September 10. A 25 percent buyer’s premium will be applied internally (three percent off for cash or checks). A printed catalog is available; call 504-529-5057 or email info@crescentcityauctiongallery.com.

Crescent City Auction Gallery is always on the lookout for quality shipments for future auctions. To register a single object, estate or collection, you can call them at (504) 529-5057; or, you can send an email to info@crescentcityauctiongallery.com. All phone calls and emails are confidential.

To learn more about the Crescent City Auction Gallery and the two-day September Major Estates auction scheduled for the weekend of September 11-12, visit www.crescentcityauctiongallery.com.

# # # #

Sully Hildebrand
Crescent City Auction Gallery
+1 504-529-5057
write us here

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Across the block https://artlini.net/across-the-block/ Mon, 23 Aug 2021 22:56:29 +0000 https://artlini.net/across-the-block/

Tiffany tulip lamp

Light up the auction

WILLOUGHBY, OHIO – The group of the first American fixtures in the Milestone Auction on August 7 were from a collector and were led by a Tiffany Studios lead glass tulip lamp on a Tiffany Studios bronze bookcase base. It featured multi-colored tulips on a streaked blue background with a confetti glass and retained its original cap. Estimated at $ 20/40,000, it ended up being a private collector for $ 44,400. For more information, 440-527-8060 or www.milestoneauctions.com.

The full moon (flask) rises over Tremont

SUDBURY, MASS. – Tremont Auctions’ Summer Estates Discovery online sale on August 16 featured over 600 general estate furniture lots, most of which were cataloged without much description and estimated to be sold. Sale peaked at $ 3,175 for a Chinese blue and white porcelain moon vial with dragon decoration. At 17 inches tall and estimated at $ 300/400, the coin had been consigned to a local collector. Several online bidders gave the chase, but a buyer in China ultimately trapped him. For more information, 617-795-1678 or www.tremontauctions.com.

Lead garden

The figure leads to Nadeau

WINDSOR, CONN. – On August 21, the Nadeau auction gallery took top honors, an outdoor garden figure depicting a girl with a butterfly measuring 43 inches. Estimated at $ 200/300, it came from a private collection in Avon, Connecticut, and sold to an online bidder for $ 4,800. Ed Nadeau said he was surprised by the results and didn’t know why he had walked so much. This was the highest price paid in a sale of 479 lots representing over 94% per lot. For more information, 860-246-2444 or www.nadeausauction.com.

Harvested autumn landscape

At the Talbot farm auction

TURNER, MAINE – The harvest was successful at Talbot Farm on August 17 as Charles M. Talbot Associates conducted his annual auction at Poplar Hill. A notable lot in the sale was an oil on canvas painting by Carl Von Hassler titled “Cottonwoods in Late Autumn”. The company does not charge the buyer any premium, so the final price for the fall landscape was $ 2,800. An oil on canvas by Florent Mols of a fishmonger also performed well, which was set at $ 1,100. For information, 207-225-3797 or www.ctaauctions.com.

American Art Nouveau Lamp

Lights up at Michaan

ALAMEDA, CALIF. – Until 2021, Michaan’s Auctions president Allen Michaan reported no signs of slowing down. “The collector base around the world is growing by leaps and bounds,” he noted. “People of all ages are drawn to the collection as a form of self-expression, a way to assert their individuality. Art, antiques and real estate have more heart and soul than manufactured goods… which attracts today’s various auction buyers. There was no summer recession during the company’s gallery auction on August 14, where one of the highlights was an American Art Nouveau leaded glass shade with base, attributed to Gorham Mfg Co. It sold for $ 7,200. For more information, 510-740-0220 or www.michaans.com.

Enneking paint leads a lot to

Blackwood / Mars

ESSEX, MASS. – “Fall Landscape”, an oil on canvas by John Joseph Enneking (1841-1916) sold for $ 2,952 at the Blackwood / March Auctioneers on August 21. The painting measured 23½ by 29½ inches and had a label on the back for Adelson Gallery. Enneking was one of the first Boston artists to delve into the Impressionism that Warren Adelson of the Adelson Galleries coveted before the twentieth century. The versatile artist painted through styles incorporating elements of Impressionism, tonalism and the Hudson River School into his landscape works. For more information, www.blackwoodauction.com or 978-768-6943.

Dopey Cel gets some serious cash for Schultz

CLARENCE, NY – An animated celluloid of Dopey from the 1937 Disney musical fantasy film Snow White and the Seven Dwarfs sold for $ 3,075 at Schultz Auctioneers on August 19. The cel features the character in mid-air with split legs while playing a cymbal. The frame is signed in pencil “With Best Wishes / Walt Disney”. Yes Snow White earnings have been adjusted for inflation, it would be the highest grossing animated film of all time. Dopey is a favorite of the bunch and perhaps the friendliest dwarf. For more information, www.schultzauctioneers.net or 716-407-3125.

Montgomery Charter leads Pook’s

Sale of photos and ephemera

DOWNTOWN, PENN. – Of the 514 lots offered at the Pook & Pook sale on August 18, Photography, Prints and Ephemera, a 1735 Montgomerie charter from New York City brought in the most, $ 51,200 to a buyer of the New York State bidding online. The detached manuscript, which was printed by order of the mayor by John Peter Zenger, is considered one of Zenger’s most important documents. His printing was delayed due to his arrest, imprisonment and trial in which he was charged with defamation. The document was handed over by a former New York collector who had worked with Pook & Pook before and was valued at $ 30 / 50,000. For information, 610-269-4040 or www.pookandpook.com.

The Johnson jersey proves

Magic for heritage

DALLAS – A 1980 Earvin “Magic” Johnson jersey, worn to the NBA Finals that year and signed by the great basketball player, Heritage Auctions’ August 22 sports memorabilia sale with a sale price of $ 1, $ 5 million, the best lot in a sale that grossed over $ 25 million. He beat the bats used by Babe Ruth and Pete Rose, Bill Russell’s rookie card and a pair of 1985 Michael Jordan Air Jordan sneakers. For more information, www.ha.com.

AB Trémont

AB Nadeau

AB Talbot Landscape

Lamp by AB Michaan

schultz ab

blackwoodmarch ab # 2

AB Pook

AB Mid-Hudson patent model

AB Heritage sports

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William de Morgan’s striking tile is one of five lots to watch this week https://artlini.net/william-de-morgans-striking-tile-is-one-of-five-lots-to-watch-this-week/ Sun, 22 Aug 2021 23:32:30 +0000 https://artlini.net/william-de-morgans-striking-tile-is-one-of-five-lots-to-watch-this-week/

Large William de Morgan tile – estimate £ 1000-2000 at Woolley & Wallis on August 24-25.

1. William de Morgan tile

The Arts & Crafts and Design sale at Woolley & Wallis in Salisbury on August 24-25 features a number of William de Morgan tiles from the Jon Catleugh collection.

It’s fair to say that Catleugh had a wide range of interests. He has been described as an architect, designer, painter, collector and historian of ceramics. He was also the author of William De Morgan tiles.

The Woolley & Wallis sale features a number of William De Morgan tiles from their collection, offered alongside a variety of other items.

One of the lots offered is this large rare tile, illustrated above, which measures 10 inches (25 cm) square. It is painted with a portrait of a Renaissance lady in shades of blue, eggplant, green and yellow.

Estimate of £ 1,000-2,000.

See the catalog entry for this item on thesaleroom.com.

2. Portrait of William Hardie

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Portrait of William Hardie by John Byrne, 1991 – estimate £ 4,000-6,000 at Great Western Auctions on August 28.

One of the foremost Scottish art specialists of his generation, William Hardie (1941-2021) passed away in January of this year and works from his collection are currently up for auction in Glasgow.

Having worked as curator, he joined Christie’s in 1977, creating the Scottish photography department which he managed until 1984. He launched William Hardie Fine Art in Glasgow, his West Regent Street gallery which has become famous for its finds and exhibitions.

On August 28, Great Western Auctions will offer items from his estate. The 291 lots in his collection, mainly paintings but also some furniture, ceramics and books, include a portrait of Hardie by John Byrne (born 1940). It is dated September 27, 1991 and is listed as a 50th anniversary gift.

Estimate £ 4000-6000.

See the catalog entry for this item on thesaleroom.com.

3. Countess Spencer’s dance bags

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One of two early 20th century mesh dance handbags owned by Countess Spencer (1897-1972) – estimate £ 1,000 to £ 1,500 at Cheffins on August 26.

Two early 20th century mesh-style dance scholarships, owned by Countess Spencer, DCVO, OBE (1897-1972), will go under the hammer at Cheffins in Cambridge on August 26.

One of the dance purses is 9k gold and constructed of chain mail while the other is gold metal in a similar style.

Countess Spencer, paternal grandmother of Princess Diana and great-grandmother of Prince William and Prince Harry, was born Cynthia Ellinor Beatrix Hamilton. She married Viscount Althorp in 1919 and was appointed Queen Elizabeth’s maid in 1937. She continued the role after Elizabeth became Queen Mother in 1952 and remained in this post until her death.

Estimate £ 1000-1500.

See the catalog entry for this item on thesaleroom.com.

4. Century 21 TV numbers

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Comic Book Auctions is offering TV Century 21 (1965-67) issues 1-140 with free giveaways – estimate £ 1800-2300 in the scheduled online sale ending August 29.

Comic book auctions offer Century TV 21 (1965-67) numbers 1-140 with the elusive free giveaway “Special Agent ID Card” with # 1 and “Special Agent Badge and Secret Coded Message Forms” with # 2.

The 140 issues are completed by the few The Thunderbirds are gone Special of 52 pages from 1966.

Century TV 21 in its production of the 1960s, several of the greatest comic book illustrators of their time were involved. Frank Bellamy and Don Harley drew the Thunderbirds, Mike Noble and Don Lawrence took turns at Fireball XL5, and Ron Embleton and Ron Turner drew the Daleks, Stringray and Captain Scarlet. Even Dan Dare’s creator Frank Hampson drew Lady Penelope in numbers 40-45.

The estimate is £ 1,800-2,300 in the timed online sale ending August 29.

See the catalog entry for this item on thesaleroom.com.

5. Summary of William Gear

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‘Garden Project’ by William Gear, 1983 – estimate £ 4000-6000 at modern art auction August 24.

The Scarborough Modern Art Auction on August 24 features this late work by William Gear (1915-97).

Garden project, 1983, a 4x3ft (1.22mx 92cm) oil on canvas, is from a private UK collection and has a guide of £ 4000-6000.

See the catalog entry for this item on thesaleroom.com.

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Art Basel executive Noah Horowitz joins Sotheby’s as Gallery Whisperer, latest sign of industry category collapse https://artlini.net/art-basel-executive-noah-horowitz-joins-sothebys-as-gallery-whisperer-latest-sign-of-industry-category-collapse/ Fri, 20 Aug 2021 21:27:46 +0000 https://artlini.net/art-basel-executive-noah-horowitz-joins-sothebys-as-gallery-whisperer-latest-sign-of-industry-category-collapse/

Ever since Noah Horowitz stepped down as director of Art Basel for the Americas last month, the art world has been wondering where the intrepid ruler will end up next.

The guessing game is over. Horowitz left the art fair world and landed in an auction house. He will join Sotheby’s on September 20 in the newly created position of Global Head of Gallery and Private Dealer Services. He will report to Brooke Lampley, who was promoted earlier this year to President and Head of Global Sales of Sotheby’s Fine Art.

Horowitz will focus on strategy and strengthening Sotheby’s relationships with galleries and dealers, the company said. The news was first reported by Vanity Show.

The move comes at a time of tectonic changes in the art world, as companies try to find a way to expand their operations and expand their customer base. Galleries such as David Zwirner and Johann König have launched initiatives to gain market share in regional art fairs. Auction houses, which have encroached on dealer territory for years with private sales, have more recently experimented with different models to find their way into the primary market.

At the start of the pandemic last spring, Sotheby’s launched a digital sales platform for galleries called Sotheby’s Gallery Network. As part of the deal, he received a flat-rate commission based on sales, with all artwork available exclusively on the auction house’s website.

(Dealers have largely been silent on their experience with the platform, although some admitted sales have been minimal. Although the website currently lists 56 galleries as “participating,” it’s unclear how many are actively involved. Only seven dealers had any work listed at the time of publication, none of which were in the Top Notch cohort when it launched.)

In a statement, Lampley described “the importance of a healthy art market ecosystem in which auction houses, galleries, fairs, collectors and institutions all benefit from collaboration. With the arrival of Noah, we can serve the market on an even greater scale, bringing together all the capabilities that Sotheby’s has to offer to foster creative and rewarding collaborations.

Horowitz has worked closely with international galleries for at least a decade. Since 2015, he has directed Art Basel Miami Beach, the largest contemporary art fair in the United States. Prior to that, he revolved around The Struggling Armory Show for a four-year tenure as Executive Director. In doing so, he has won the trust of many art dealers, a major asset given that galleries generally view auction houses with suspicion, if not utter contempt.

“I’m thrilled for him,” said Tim Blum, co-owner of the Blum & Poe gallery. “He’s someone who at least cares about artists and galleries. He doesn’t posture. He spent a lot of time and energy traveling the world. He brings a more authentic and anchored approach to Sotheby’s.

Horowitz will also bring some firepower to Sotheby’s senior ranks, which have seen considerable turnover over the past year. “I am extremely happy to join Sotheby’s at this defining moment for our industry and look forward to leveraging the unique combination of talent, expertise, resources and digital know-how at your fingertips to create a new successful offer for today’s international and private galleries. dealer community, ”Horowitz said in a statement.

Sotheby’s has already tried to blur the lines between auctions and other services. He launched, then quietly shut down in 2018, a division designed to advise artist estates, what some saw as an effort to encroach on gallery turf and squeeze into the primary market.

“If the galleries are going to collaborate with anyone in the auction houses, it will be Noah bc for the quality of the relationships he has built during his time at Art Basel,” said Miami collector Dennis Scholl. “But it’s still a competitive industry.”

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Here are the 15 most expensive works of art auctioned around the world in July 2021 https://artlini.net/here-are-the-15-most-expensive-works-of-art-auctioned-around-the-world-in-july-2021/ Wed, 11 Aug 2021 22:04:16 +0000 https://artlini.net/here-are-the-15-most-expensive-works-of-art-auctioned-around-the-world-in-july-2021/

It may be the summer heatwave, but the art market has never fully go on holidays. (Just ask the gallery assistant who is not authorized to respond automatically.) Despite a dearth of expensive lots, Old Masters sales in London and a handful of Chinese art auctions have made a listing more varied than usual; there’s no Picasso or Basquiat in sight, and that’s a welcome change.

While the evening sale of Sotheby’s Old Master in London failed to find buyers for almost half of the works, bringing in just $ 23.9 million, Christie’s generated more than $ 52 million with a sales rate of 78%.

Prices for prominent works were considerably lower in July than in previous months. While in June the top lots (by Xu Yang and Jean-Michel Basquiat) reached $ 64 million and $ 37.2 million, respectively, last month’s most expensive job reached around $ 14.5 million. dollars, well below its low estimate of $ 16.5 million.

But lower prices also left room for some surprises. Frans van Mieris the Elder The music lesson easily exceeded its high estimate of $ 1.4 million to reach $ 4.8 million; All-time favorite Yayoi Kusama’s works have each exceeded their high estimates; and Artemisia Gentileschi Venus and Cupid also brought much more than expected.

We combed through Artnet’s pricing database data to highlight the top 15 lots auctioned around the world in June 2021. See the full list below.

1. Bernardo Bellotto, View of Verona with the Ponte delle Navi (1745-1747)

Final price: £ 10.6million ($ 14.6million)

Estimate: £ 12million to £ 18million ($ 16.5million to $ 24.8million)

Or when: Christie’s London, July 8, 2021

2. Leonardo da Vinci, Bear head

"Leonardo

Final price: £ 8.7million ($ 12.2million)

Estimate: 8 million pounds to 12 million pounds (11 to 16 million dollars)

Or when: Christie’s London, July 8, 2021

3. Joseph Mallord William Turner, Purfleet and the Essex Shore seen from long range (1808)

"Joseph

Final price: 4.8 million pounds ($ 6.6 million)

Estimate: £ 4 million to £ 6 million ($ 5.5 to 8.3 million)

Or when: Sotheby’s London, July 7, 2021

4. Emperor Qianlong, Songyang Hanbotu

Emperor Qianlong, Songyang Hanbotu, courtesy of XiLingYinShe Auction Co. Ltd.

Final price: CNY 41.4 million ($ 6.4 million)

Estimate: CNY 28 million to CNY 38 million ($ 4.3 million to $ 5.9 million)

Or when: XiLingYinShe Auction Co. Ltd., Hangzhou, July 24, 2021

5. Georges de la Tour, Saint Andrew

"Georges

Final price: £ 4.29million ($ 5.9million)

Estimate: £ 4 million to £ 6 million ($ 5.5 to 8.3 million)

Or when: Christie’s London, July 8, 2021

6. Amrita Sher Gil, In the ladies’ enclosure (1938)

"Amrita

Final price: $ 5.1 million

Estimate: $ 4.2 million to $ 5.6 million

Or when: Saffron Art, Bombay, July 13, 2021

7. Frans van Mieris the Elder, The music lesson

"Francois

Final price: £ 3.5million ($ 4.8million)

Estimate: £ 700,000 to £ 1 million ($ 963,656 to $ 1.4 million)

Or when: Christie’s London, July 8, 2021

8. Xu Wei, Eight Sections Ink Flower (1591)

Xu Wei, Ink Flower Eight Sections (1591)

Xu Wei, Eight Sections Ink Flower (1591). Courtesy of XiLingYinShe Auction Co. Ltd.

Final price: CNY 29.3 million ($ 4.5 million)

Estimate: CNY 18 million to CNY 25 million ($ 2.8 million to $ 3.9 million)

Or when: XiLingYinShe Auction Co. Ltd., Hangzhou, July 24, 2021

9. Yayoi Kusama, Pumpkin (D) (2017/1992)

"Yayoi

Final price: 425 million JP (4.4 million dollars)

Estimate: JP ¥ 200 million to JP ¥ 300 million ($ 1.8 million to $ 2.7 million)

Or when: Mainichi auction, Tokyo, July 31, 2021

10. Fu Baoshi, Photo by Jingbo Feiquan (1963)

"Fu

Final price: CNY 28.5 million ($ 4.4 million)

Estimate: CNY16 million to CNY26 million ($ 2.5 million to $ 4 million)

Or when: XiLingYinShe Auction Co., Hangzhou, July 25, 2021

11. Jan Davidsz from Heem, A Banquet Still Life

"Jan

Final price: £ 3.1million ($ 4.3million)

Estimate: 3 million pounds to 5 million pounds (4.1 million to 6.9 million dollars)

Or when: Christie’s London, July 8, 2021

12. Antoine van Dyck, Family portrait of the painter Cornelis de Vos and his wife Suzanna Cock and their two elders, Magdalena and Jan-Baptist

"Antoine

Final price: £ 2.4million ($ 3.4million)

Estimate: £ 1million to £ 1.5million ($ 1.4million to $ 2.1million)

Or when: Sotheby’s London, July 7, 2021

13. Edward Burne-Jones, The prince entering the heather wood (1869)

Edward Burne-Jones, The Prince Entering the Heatherwood (1869).  Courtesy of Christie's Images, Ltd.

Edward Burne Jones, The prince entering the heather wood (1869). Courtesy of Christie’s Images, Ltd.

Final price: £ 2.4million ($ 3.3million)

Estimate: 2 million pounds to 3 million pounds (2.8 to 4.1 million dollars)

Or when: Christie’s London, July 8, 2021

14. Artemisia Gentileschi, Venus and Cupid

"Mugwort

Final price: £ 2.4million ($ 3.3million)

Estimate: £ 600,000 to £ 1.2 million ($ 825,991 to $ 1.7 million)

Or when: Christie’s London, July 8, 2021

15. Yayoi Kusama, Infinity-Nets (WFTO) (2016)

"Yayoi

Final price: 3.1 million yen ($ 3.14 million)

Estimate: 1.5 million yen to 2.5 million yen ($ 1.3 million to $ 2.2 million)

Or when: Seoul auction, South Korea, July 29, 2021

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“Homeless” gallery after being ordered out of the downtown building https://artlini.net/homeless-gallery-after-being-ordered-out-of-the-downtown-building/ Mon, 09 Aug 2021 16:12:05 +0000 https://artlini.net/homeless-gallery-after-being-ordered-out-of-the-downtown-building/

Broome County Arts Council is seeking new space for its downtown gallery after the installation had to leave a building in Binghamton that city officials deemed unsafe.

The Craftsmen’s Gallery had been located on the first floor of the First National Bank building at 95 Court Street for two and a half years.

Sentencing notices were posted on the building in May, ordering everyone out.

The Craftsmen Gallery had been located in the First National Bank building since fall 2018 (Photo: Bob Joseph / WNBF News)

Gallery director Constance Barnes said the downtown location was perfect for the installation. She spoke as she was packing items in the gallery that needed to be moved to storage space.

Barnes expressed disappointment that the situation involving the condition of the building is forcing the gallery and others renting the space to relocate.

Building owner Isaac Anzaroot disagrees with the city over code issues. He said he might consider demolishing the 92-year-old structure, although Mayor Richard David said a demolition permit would not be granted.

An interior view of the Artisan Gallery at 95 Court Street on July 20, 2021 (Photo: Bob Joseph / WNBF News)

Contact WNBF News reporter Bob Joseph: bob@wnbf.com or (607) 772-8400 ext 233.

For the latest news and updates on story development, follow @BinghamtonNow on Twitter.

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