Gallery auctions – Art Lini http://artlini.net/ Fri, 14 Jan 2022 02:48:57 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://artlini.net/wp-content/uploads/2021/04/cropped-icon-32x32.png Gallery auctions – Art Lini http://artlini.net/ 32 32 Sotheby’s Auctions Portraits of Ottoman Sultans https://artlini.net/sothebys-auctions-portraits-of-ottoman-sultans/ Thu, 13 Jan 2022 14:35:00 +0000 https://artlini.net/sothebys-auctions-portraits-of-ottoman-sultans/

London’s Sotheby’s has put 17th-century portraits, including Ottoman sultans and Amir Timur (Tamerlane), the founder of the Timurid Empire, up for sale for an online auction. The “Royal & Noble” series, featuring the portraits of Ottoman sultans, is open for auction until January 20.

“Most of the artwork and objects in this year’s Royal & Noble Sale were found far from where they were created and actually intended, but now they sit together, presented here again at the light and await the next chapter in their extraordinary stories,” Sotheby’s wrote for the auction series.

Portraits of Ottoman sultans sold at auction by Sotheby’s, from left to right, Bayezid I, Bayezid II, Mehmed I and Murad II. (ADH)

According to a statement from the famous auction house, the portraits of the Ottoman Sultan and Timur in the auction series are based on the Giovio series, which is a set of rulers and statesmen brought together by the 16th-century Italian Renaissance historian and biographer Paolo Giovio (1483-1552). The series featured works on 484 notable figures, and Giovio built a museum at Lake Como specifically to house them. Sotheby’s has advised that the Giovio series has been damaged and not intact, but copies made for Cosimo I de’ Medici, the second Duke of Florence, between 1552 and 1568 are housed in the prominent Uffizi Gallery museum in Florence in Italy.

The paintings include portraits of the Ottoman sultans Suleiman I – also known as Suleiman the Magnificent, Bayezid I – also known as Bayezid the Thunderbolt, Bayezid II, Murad II, Mehmed I, also known as Mehmed Çelebi, and Amir Timur. The auction house gave details of the history of the paintings: “These portraits were probably purchased by William Kerr (1605-1675), the third Earl of Lothian, and hung in the great hall of the Newbattle Abbey from the 17th to the beginning of the 20th century. »

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The US market starts the year strong for Forsyths https://artlini.net/the-us-market-starts-the-year-strong-for-forsyths/ Tue, 11 Jan 2022 15:07:24 +0000 https://artlini.net/the-us-market-starts-the-year-strong-for-forsyths/

This 1819 Baltimore sampler sewn up the high price of the sale, exceeding his estimate and fetching $ 5,310. This was an example published in Betty Ring’s book on Girls’ Embroidery ($ 2/4,000).

Review by Madelia Hickman Ring, photos courtesy of Forsythes’ Auctions

CINCINNATI, OHIO – Two days after the Forsythes’ Auctions on January 2, Frank Forsythe spoke the words everyone in this business wants to hear: “The antiques market has improved a lot overall, the start of the Americana in particular.

About 100 motivated bidders came up for the sale, which focused on early Americana and Country Store items and took place at the Holiday Inn in the Eastgate suburb of Cincinnati. Telephone and mail-order auctions offered an alternative to online auctions. About 800 bidders signed up for the 466 lot sale, which missed white glove status with only one lot failing to sell on the podium.

The only sampler in the sale won first batch honors. An 1819 silk-on-linen sampler worked by Blanch Welch of Baltimore consisted of a five-row verse on a landscape, accompanied by a basket of flowers and a vine border. He was descended from Welch’s Baltimore family and linked to another at the Baltimore Museum of Art which is illustrated in volume II of Betty Ring’s Embroidery from childhood: American samplers and illustrated needlework, 1650-1850. Enthusiastic bidders took it to $ 5,310 on an estimate of $ 2/4,000.

“I liked it about as much as anything,” Frank Forsythe said of this cast iron hitch head in the shape of an eagle holding a ring in its beak. Traces of old black paint were an attractive feature of the 11½ inch head. It soared to $ 3,186, the second-highest result of the sale ($ 600 to $ 1,200).

One of Frank Forsythe’s favorite pieces was something he had never seen – or sold – before. An 1860s cast iron hitch top in the shape of an eagle’s head still had traces of old black paint and was nearly a foot tall. He was from an estate in Cincinnati and made $ 3,186.

The same price – $ 3,186 – was also achieved by an early 19th-century 4-gallon stoneware pot with cobalt decoration in the shape of two birds and a tulip that formed a heart. He was from an estate in Kentucky and directed a selection of over two dozen sandstone examples including cobalt decorated examples from Ripley, Ohio ($ 767) and one from New Geneva, Penn. ($ 531).

Advertising was another strong category, with the results supporting the claim.

A cigar store or African American trade figurine carved in the shape of a dandy that had been sculpted by Kentucky folk artist S. Cornett was found in Kentucky and sold for $ 2,950. Forsythe admitted that they didn’t see the artist’s work often, but the Kentucky collector who bought it owned another piece by Cornett. The figure, who stood 66½ inches tall, was on a blue painted base that read “Black Jacks Inn” and advertised beer for 10 cents and rooms for $ 2.

The original condition and old paintwork led to the result of this late 19th-century polychrome painted wood sign for New Tiffin Wagons, which bidders raised to $ 2,950.  Frank Forsythe said he was from an estate in Brown County, Ohio, and was

The original condition and old paintwork led to the result of this late 19th-century polychrome painted wood sign for New Tiffin Wagons, which bidders raised to $ 2,950. Frank Forsythe said it came from an estate in Brown County, Ohio, and was “very unusual” ($ 800 to $ 1,500).

A first painted wood panel for the new Tiffin cars also reached $ 2,950. Forsythe noted that the company had sold a larger copy – for more money – a few months before, but he was happy with the outcome as it nearly doubled the high estimate. He had found it in an estate in Brown County, Ohio, and the original paintwork had contributed to the result. A more modern promotional item – a neon sign for Skript Drug Store – heated up to $ 1,180.

Notable products in the American furniture category were seen in a Kentucky Sheraton cherry sugar chest that sold within estimate, for $ 2,714, and an oak apothecary cabinet with 28 drawers on paneled cabinet doors that closed at $ 2,478.

About a tenth of the sale consisted of fine art, of which portraits were the dominant genre. At the top of the proverbial gallery were two portraits of Mr. and Mrs. Birdseye painted by C. Curtis in 1841; the pair found a new home for $ 1,770. Both portraits – and a double portrait of two brothers that ended up at $ 1,652 – were from a Cincinnati estate that had acquired them from Creek Wood Antiques in Cincinnati in the 1970s.

The next Forsyth ‘Auctions sale will take place in February, a date that has yet to be announced.

Prices shown include buyer’s premium but may not include additional online auction surcharges. For more information, www.forsythesauctions.com or 939-377-3700.

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Falling in love with art: the pleasure of collecting paintings | Painting https://artlini.net/falling-in-love-with-art-the-pleasure-of-collecting-paintings-painting/ Sat, 08 Jan 2022 12:00:00 +0000 https://artlini.net/falling-in-love-with-art-the-pleasure-of-collecting-paintings-painting/

SSome people are art collectors. I am not one of them. I am not rich enough and, even if I was, I am not interested in this kind of acquisition. I’m just someone who loves photos a lot and buys as much as possible. Of course, it depends – mainly – on my funds at any given time. But not exclusively. When my passion first overcame me, after all, I was about as broke as it was possible for an employee to be.

It was 1992, and I was a trainee journalist in Glasgow, where I rented a small room, from the single bed of which I could see everything I owned, which was mostly a bunch of letters from my bank informing me that I was in the open. I don’t remember if the idea of ​​traveling to the Jura to write about Julie Brook, an artist who lived and worked in a cave on the uninhabited side of the island, was my idea or that of my editor but, anyway , I was crazy wanting to make history, especially because I knew this was where George Orwell wrote 1984. Of the work of my interviewee, I had rather less knowledge. Apparently she liked to build stone structures on the beach which she then set a fire in, the idea being that as the tide rose it would briefly give the impression that flames were rising from the sea her- same.

I arrived by ferry. Julie had walked over to Craighouse to meet me and in her hotel bar we talked, and she showed me some photographs of her land art, which was indeed dramatic. Then she took me outside, where huge oils were leaning against a wall.

This small painting was bought for five cents at an antique fair. Photograph: Sophia Evans / The Observer

That’s when it happened. Standing in front of a painting of two salmon, my heart raced. “I wish I had this,” I heard a voice not unlike mine. “But I have no money.” Julie must have, I think, felt my desire, which was extreme. She didn’t hesitate either. “Pay me in installments,” she said. This is what I did for the next 18 months.

It was all pretty crazy. Why was I buying this huge canvas when I had nowhere to hang it? Specifically, why was I spending money that I didn’t have? But even though I could hardly justify what I had done, I didn’t regret it either. I was… relieved to have the painting in my possession, a feeling of satisfaction which only grew as I transported it to Glasgow, and then, a few weeks later, I drove it to London in a rental car (I was moving again). When friends noticed it, their disbelief (“you… bought this?”) Only made me feel like mad pride. Better My Salmon than any number of Top Shop dresses.

For a while, it was the only art I owned. But in my thirties, finally more flush, I started to buy more. An abstract print by Victor Pasmore (it was less fashionable then, and its prices less crazy). A small oil from an old fashioned newsagent, her window adorned with garlands, by no one you have never heard of. A portrait of John Aldridge, one of the (many) lesser known artists associated with Great Bardfield in Essex. Either way, the feeling was the same. If a vaguely approachable image speaks to me, my fingertips seem to tingle and burn. I’m like Raffles, the thief gentleman, in the presence of a diamond tiara.

Rachel Cooke's living room only has images of female heads.
Rachel Cooke’s living room only has images of female heads. Photograph: Sophia Evans / The Observer

It is still possible, if you are smart, to get amazing things for the price of a few easyJet flights (I include the taxi to the airport). I have a drawing by Edward Burra which cost me less than £ 200; I bought it from Abbot & Holder in Museum Street in Bloomsbury, where I have been very lucky over the years (Tom, who runs it now, is very knowledgeable, but also very kind and not intimidating). I haunt auctions and online sales – for the latter, I recommend Liss Llewellyn, who specializes in 20th century British art – and I favor galleries outside London, like Zillah Bell in Thirsk, Yorkshire. , which houses the archives of Norman Ackroyd’s work. , master of aquatint.

But my collection is not about the big names. For me, value has nothing to do with fame. There is something exciting about hanging a photo you’ve saved up and saved up to buy next to one you paid £ 50 for in a street market, and finding both equally beautiful; it’s like having a secret. I have a few photos of fairly well-known artists (although I won’t name drop here). But one of my most beloved finds – a delicately beautiful engraving from 1939 by an artist whose name is illegible from Rachel’s Tomb in Hebron, Israel / Palestine, where I lived as a child – I bought for £ 40 at an antique fair in Suffolk. Friends who were there will testify that I almost passed out with excitement when I handed over the money.

The judgmental cliché is that a person can either spend money on things or they can spend it on experiences. But a painting is both. Ben Nicholson thought people should hang a picture on the wall and “have their meals back to back every day for a month.” Only then would they know what they thought about it; whether he is dead or alive. I think he was right. A painting will seem to change as you live with it. Like someone you have known for a long time, they will always be able to surprise you.

Maybe you will move it to a new location; maybe the light will move, falling on her in a new way; you might find yourself staring at him unexpectedly as you try to remember why you were going upstairs. In any case, you will see him again, and suddenly interest and affection will rise in you. Before you know it, you will be back in the first surge of love, delighted by the absolute correctness of your own taste; because your eyes and your heart once whispered to you, and now repeat it to you insistently.

How to do

Many art history or art appreciation courses are offered, including those from the Courtauld, the Royal Academy of Arts, London University of the Arts or the national gallery. Most are online.

For more practical activities, To create is a charity that helps disadvantaged and vulnerable people access the arts. Action Space is for artists with learning disabilities and Association for cultural promotion through the visual arts runs educational arts programs for various communities. Most local art schools also run evening classes.

If you want to be inspired by other sources of inspiration in the art world, Russell Tovey and Robert Diament’s Talking Art podcast is enthusiastic and accessible, while Great women artists podcast tells shamefully overlooked art stories.

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Las Vegas artist Melanie Stimmell sold-out debut with Park West Gallery https://artlini.net/las-vegas-artist-melanie-stimmell-sold-out-debut-with-park-west-gallery/ Thu, 06 Jan 2022 14:35:00 +0000 https://artlini.net/las-vegas-artist-melanie-stimmell-sold-out-debut-with-park-west-gallery/

12 original paintings by Stimmell were on display and all sold in the weekend auctions. In fact, there was such a demand for Stimmell’s work that she even added three more paintings that were still being worked on in her studio – and those three paintings were sold as well.

His latest studio painting, titled “Awakened”, sold out after several rounds of intense bidding, and Stimmell was still in the process of finishing it as it sold out on Sunday night. Stimmell noted that the paint was still wet on the canvas as the final hammer fell for “Awakened”.

But that wasn’t Stimmell’s only milestone last weekend. The artist has also created two new graphic works for Park west The New Year’s auctions, which were quickly adopted. The first, “The Countess Ova Rose”, was sold 48 times. The second, “The Messenger”, has been sold over 120 times, breaking the previous one. West Park record for the most works of the same image sold by an artist in a single day.

The previous record was held by the famous Miami artist Kre8, who coincidentally reached that milestone in last year’s New Years weekend online auction.

There was another amazing parallel between Park west New Year’s auctions 2021 and 2022, which made events a family affair. At the 2021 auction, Jasmyne Sitter, a 3-year-old “auctioneer-in-training” and daughter of senior auctioneer Jordan Sitter, struck the last hammer on the Kre8 artwork which became the first artwork. in West Park story collectable by over 100 collectors in one day. At the 2022 auction, the now 4-year-old Jasmyne was back and, once again, dropped the hammer to celebrate Stimmell’s old Kre8 record.

“I couldn’t be happier with at Mélanie Stimmel debut, “said Albert Scaglione, founder and CEO of West Park Gallery. “Our New Year’s auctions are becoming an important launching pad for some of our most famous artists, and I am delighted that Melanie was able to carry on this tradition.”

Stimmell first connected with West Park Gallery during the company’s first “Made in Vegas” artist competition in 2021. The competition aimed to find emerging artists in the Las Vegas and celebrating the opening of Park west two new locations at the Forum Shops at Caesars Palace in Vegas. Stimmell was one of the top 10 semi-finalists in the competition and quickly caught the eye of Park west executive team.

“The moment I saw Melanie’s work for the first time, I knew we had found something special,” said Jean Bloc, Park west Executive Vice President. “His work is so whimsical and evocative, mixing reality with the fantastic in such a daring way. It’s not everyday that you meet an artist with such a clear vision, and I’m delighted that we can share this vision with our collectors. “

Stimmell is an incredibly accomplished artist and illustrator who worked for years as a technical director on the popular South Park TV shows. Known the world over for her talent as a muralist, she has received gold medals and first place awards in Europe most prestigious street painting competitions, including the title of Maestra Madonnara (Master Street Painter) in both Italy and Germany.

Now based at Las Vegas, Stimmell is a handsome artist, teacher and co-founder of We Talk Chalk, a 3D street painting company.

In addition to Stimmell’s first monumental show, Park west New Years Weekend — hosted by Jordan sitter and David Gorman — also showcased a fantastic collection of original artwork by iconic contemporary artists like David “LEBO” The bastard, Romero Britto, Jim warren, and Thomas Kinkade and master artists like Albrecht Durer, Victor Vasarely and Marc Chagall.

West Park Gallery hosts live art auctions on cruise ships around the world and in select other luxury travel destinations. The gallery also has places where art lovers can visit their museum’s collections or take home an original work of art by Michigan, Hawaii, and Las Vegas, Nevada.

In addition to their cruise and gallery events, West Park hosts weekly live art auctions where collectors can acquire new works from the comfort of their own homes. To participate in one of the Park west live art auctions, interested parties just need to fill out their online interest form and a personal concierge will organize them for an upcoming weekend.

On West Park Gallery

West Park Gallery is the largest art dealer in the world, bringing the art collection experience to over 3 million customers since 1969. Be it masterpieces by the greatest artists history or the latest works of art of the greatest contemporary icons, West Park offers something for everyone through its accessible art exhibitions and auctions around the world. You can find out more about West Park Gallery and its more than 50 year history on http://www.parkwestgallery.com

West Park also hosts live online art auctions every weekend. To learn more about Park west online collection events, visit https://www.parkwestgallery.com/online/

You can find out more about Melanie Stimmel here or visit his Instagram page here.

CONTACT: Tom burns
[email protected]

THE SOURCE West Park Gallery

Related links

http://www.parkwestgallery.com


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Diamonds and sculptures win the hearts of bidders in joint auction https://artlini.net/diamonds-and-sculptures-win-the-hearts-of-bidders-in-joint-auction/ Tue, 04 Jan 2022 15:05:31 +0000 https://artlini.net/diamonds-and-sculptures-win-the-hearts-of-bidders-in-joint-auction/

The top lot of the December 13 jewelry sale was this 2.50 carat diamond engagement ring solitaire which grossed $ 15,600.

Review by WA Demers, photos courtesy of William Bunch Auctions And Appraisals

CHADDS FORD, PENN. – The photograph “June Leaf” by Richard Avedon (American, 1923-2004) dominated the lots presented at the William Bunch Auctions quarterly decorative and fine arts sale on December 14th. Sold for $ 39,000, large format gelatin silver on paper, signed and stamped on the back, edition 4/10, measuring 50 by 40 inches, presented in an acrylic shadowbox frame. Born in 1929, Leaf is an American artist known for her abstract allegorical paintings and drawings; she also works in modernist kinetic sculpture and is based in New York and Mabou, Nova Scotia.

On December 13, the auction house showcased a line of jewelry, the highest price for which was achieved by a 2.50 carat diamond engagement ring solitaire that grossed $ 15,600.

A Bailey Banks and Biddle diamond heart necklace has exceeded its estimate of $ 3/6,000 to sell for $ 11,000 to an online bidder. A gorgeous pave set heart convertible pendant / brooch and 22 inch curb link chain, the heart shape of the coin was encrusted with approximately 85-2.5mm European cut diamonds and featured a central diamond of 6 , 7 mm.

Another diamond ring, this one, a 1.80 carat GIA certified example, fetched $ 9,600 from an online bidder, while a vintage Cartier diamond watch in 18k yellow gold fetched 3,300 $. It was marked “Cartier France 18 KTS” and set with an estimated weight of 0.75 carats of diamonds, measuring approximately 7 inches long.

A Bailey Banks and Biddle diamond heart necklace has exceeded its estimate of $ 3/6,000 to sell for $ 11,000 to an online bidder.

A Bailey Banks and Biddle diamond heart necklace has exceeded its estimate of $ 3/6,000 to sell for $ 11,000 to an online bidder.

Christmas arrived early for a telephone bidder who was thrilled to win the auction for an antique platinum and sugarloaf sapphire ring. Estimated at $ 600 / $ 800 and fetching $ 1,800, the ring was a Christmas present for herself.

The December 14 corporate session showcased a collection of freshly marketed antiques, works of art, glass, porcelain, furniture of all ages and styles, silver, jewelry, d ‘Asia, porcelain, glass and more. In addition to Avedon’s photography, notable awards were obtained for some sculptures by Harriet Whitney Frishmuth (1880-1980). An American sculptor known for her bronze works, she was born in Philadelphia, and when her parents divorced as a teenager, she moved to Europe with her mother and sisters, living there for eight years. She studied briefly with Auguste Rodin at the École des Beaux-Arts in Paris, and for two years with Cuno von Uechtritz-Steinkirch in Berlin. She returned to the United States and studied at the Art Students League in New York with Gutzon Borglum and Hermon Atkins MacNeil.

In that sale, “Ecstasy,” a nude female form stretching her arms skyward, grossed $ 13,200. The original patinated bronze was signed Harriet W. Frishmuth 1920, stamped Gorham Co. Founders OBKE and measured 19½ inches.

Richard Avedon's (American, 1923-2004) “June Leaf” photograph dominated the lots presented at the William Bunch Auctions quarterly fine and decorative arts sale on December 14, for $ 39,000.

Richard Avedon’s (American, 1923-2004) “June Leaf” photograph dominated the lots presented at the William Bunch Auctions quarterly fine and decorative arts sale on December 14, for $ 39,000.

Frishmuth’s ‘Crest of the Wave’, a 21½ inch tall bronze with verdigris patina, signed and stamped in the same manner, was offered for $ 11,430.

An Andy Warhol silkscreen print of “Mao”, one of 100 prints created for a Warhol exhibition at the Galliera Museum in Paris in 1974. The screen print on wallpaper was signed “Andy Warhol” in felt-tip pen on the lower left and measured 39½ x 29½ inches.

Another highlight was Seymour Remenick’s (American, 1923-1999) painting of the “Manayunk Bridge”, the old railway bridge over the Schuylkill River. The signed oil on canvas “Remenick,” with a gallery label on the reverse of Pearl Fox, Philadelphia, and measuring 24 by 30, exceeded his presale expectations of $ 300/600 to end up at $ 2,400.

Beyond the fine art, the ever popular vintage auction item, the Steam Trunk, was featured by an older example of a Goyard monogram that left the gallery at $ 5,100.

The prices shown include the buyer’s premium as stated by the auction house. For information, www.bunchauctions.com or 610-558-1800.

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Five tips for future art collectors https://artlini.net/five-tips-for-future-art-collectors/ Sun, 02 Jan 2022 06:05:16 +0000 https://artlini.net/five-tips-for-future-art-collectors/

Don’t be intimidated

The art world can be intimidating, especially when you hear art scholars and industry experts using jargon like “publishing,” print, “” modern, and “contemporary.” Rest assured that there are no “dumb questions” at Strauss & Co, and no upside-down art consultants who will laugh at your requests. We are passionate about art, and part of the joy of our job is helping and educating potential buyers and art lovers to expand their knowledge. Our art specialists are always ready to answer your questions, make recommendations, and show you works of art and collectibles that will bring you joy.

When shopping for art for their home, consumers often look to retail outlets and purchase mass-produced decorative pieces that match their curtains and cushions, due to the perception that original art is prohibitive. But we sold artwork on our online auctions only for less than what you could spend at a chain store. When you buy a work of art at auction from Strauss & Co, you can be sure that our art specialists have verified the provenance and authenticity of the work and that it is offered at a realistic market price. , based on previous auctions.

Find out what you like

The secondary art market has the luxury of offering the work of hundreds of different artists in a single auction, with a wide choice of media, eras and prices. Auction houses often exhibit works of art under the hammer before a major live sale. These exhibitions are the perfect opportunity for potential buyers to familiarize themselves with the offerings, to compare different artists, eras and styles, and to find out what they like.

Whether you’re interested in contemporary sculpture, ceramic art, mid-century modern furniture, or abstract painting, a pre-sale exhibit allows you to sample a wide range of works of art. You may like traditional landscapes, but as you become exposed to a greater variety of styles and more artists, you may find that you also begin to appreciate abstract compositions or develop a liking. for the work of artists from a specific era or region. in preference to others.

It’s also a great idea to visit contemporary art galleries and chat with curators and owners of upcoming artists who are making waves in the industry.

Browse online

Strauss & Co has a huge online database of all the artists and works of art they have submitted, as well as digital catalogs of previous actions and information written by art specialists and giants. Of the industry. It’s a great, free resource to jumpstart your arts education, or just a nice way to spend some time browsing through the high resolution images. Social media has also allowed artists and galleries to market art to new audiences and most have their own websites or other visible presence online. Social networks allow you to follow your favorite artists while discovering new talent. Visit the Strauss & Co website www.straussart.co.za or follow them on instagram at @strauss_and_co

Support young creatives

We believe in supporting young emerging artists. Strauss & Co has ongoing relationships with The Bag Factory, a non-profit contemporary visual art organization, and Artist Proof Studio, leaders in art printmaking education, both of whom are committed to investing in the development long-term young artists. Organizations like this offer amazing and innovative new artwork at affordable prices, and when you buy art from them, you are supporting a young designer. Hopefully the piece will increase in value and eventually could be sold in the secondary art market at a profit, unlike mass-produced retail products, designed to satisfy consumer whims and changing fashions, which rarely retain their value. Investing in the creative community turns the wheels on, allowing artists to continue to create and develop.

Why are you buying art?

Is it part of an investment portfolio and do you expect it to appreciate over time? Want something beautiful and decorative to adorn your walls?

There is a perception that art collectors need deep pockets and the right relationships and that it’s only worth investing in big names, but it isn’t. The art market is more accessible than ever for novice collectors, and information on artists and works of art at all investment levels is readily available.

If you collect to invest and expect your artwork to gain value over time, it is always best to buy from a reputable auction house or gallery. This way you have the peace of mind that the part has gone through a due diligence process to assess and authenticate the work.

Works by leading artists like William Kentridge, Walter Battiss and Robert Hodgkins sell for millions of rand at auction, but their published works on paper offer a foothold for collectors determined to invest in one of these pillars. auction, without applying for a second mortgage on their home.

That being said, I’m a big fan of buying what you love, because you’re going to have to live with this piece of art and look at it every day. So if you walk past a collection of canvases by the side of the road and one of the pieces speaks to you on a deep, visceral level, making you fall head over heels in love – go ahead and buy the artwork, you are supporting an artist and acquiring something special for yourself.

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Biggest NFT Trends of 2021 https://artlini.net/biggest-nft-trends-of-2021/ Tue, 28 Dec 2021 14:03:44 +0000 https://artlini.net/biggest-nft-trends-of-2021/

According to a recent report from Cointelegraph Research, the volume of non-fungible tokens (NFTs) sold this year could eclipse $ 18 billion. From illustrations, music and in-game characters to videos and photographs, these certificates of ownership for digital assets on blockchains are highly sought after by collectors, investors and philanthropists. They can also be freely traded on decentralized NFT platforms such as OpenSea. Without further ado, let’s take a look at the biggest trends developing in the NFT space.

1. Celebrities and contemporary NFTs

Of course, in first place this year, as there was no shortage of NFT collaborations and collaborations in the entertainment industry. Highlights include the drops in Mila Kunis’ NFT Stone Cats, which sold out in about 35 minutes and spiked gas prices on the Ethereum blockchain to process transactions.

In November, rapper and songwriter Snoop Dogg auctioned off a 3D collage made up of 10 different portraits of himself at different stages of his professional career, with the winning bid amounting to 188 ETH (around $ 700,000). In mid-December, NBA star Kevin Durant announced a partnership between his company Thirty Five Ventures and Coinbase to collaborate on NFT drops.

Next, director Quentin Tarantino announced the auction of seven uncut scenes from Pulp Fiction. as NFTs built on the secret network focused on confidentiality. However, Tarantino may have been too eager to join the hype, as production company Miramax filed a lawsuit against Tarantino for alleged copyright infringement resulting from its NFT sale.

However, as crypto enthusiasts directly note, the most popular NFTs are those that feature “pixelated punks” created by artist Crypto Punks. The group currently holds the largest sales volume on OpenSea.io with 750,300 Ether (ETH) digital art (around $ 3 billion at current price) traded since its inception in 2017. Their success has also attracted partnerships and deals with the best Hollywood agents.

2. Play to win NFT games

NFTs are not just meant to be displayed. A blockchain game, Axie Infinity, involves players fighting each other or non-playable characters and completing daily quests with in-game creatures called Axies. Each Axie is a unique NFT that can be bought and sold on the Ethereum blockchain. Axie NFT’s strike is known as in-game reproduction, with rarer Axies having better stats and subsequently costing significantly more. According to its official marketplace, the total volume of Axies bought and sold in the last 30 days is over 125,000 ETH, or roughly $ 500 million.

Additionally, players can purchase virtual land-based NFTs in-game. Such digital real estate represents places where monsters and bosses spawn, in addition to hosting an abundance of resources. Most Expensive Axie Infinity Terrain Ever Sold took place last month for 550 ETH ($ 2.3 million at the time).

Another popular choice is the NFT Sorare fantasy football game. Thanks to Sorare, players can manage their own football teams via digital reader NFT cards. According to its CEO, Nicholas Julia, more than half a million players have joined the platform organically without any marketing efforts.

3. Metaverse NFT

Developments in the Metaverse, a digital realm featuring 3D augmented reality, have been gaining traction since Facebook rebranded itself as Meta in October. NFTs play a central role in the metaverse to ensure the uniqueness of virtual assets such as player avatars. Meta’s Metaverse product manager, Vishal Shah, said in an announcement that the new platform “will make it easier for people to sell limited education digital items like NFTs, display them in their digital spaces, and even display them in their digital spaces. safely resell them to the next person ”.

Right now, there is a massive 21-level skyscraper being built in the Metaverse by Bloktopia to pay homage to the maximum of 21 million Bitcoin (BTC) that can be created. Notable consumer brands like Adidas and Nike are also entering the metaverse, teaming up with contributors to develop NFT artwork for their namesake brands. Above all, the developers of the virtual metaverse game Sandbox want to defend the kingdom against the threat of big tech monopoly.

Bloktopia in-game screenshot. Source: Bloktopia

4. NFT sponsorship

The number of charities accepting crypto donations increased dramatically in 2021. A platform facilitating such transactions, the Giving Block, has seen donations reach over $ 100 million this year, compared to $ 4 million for the year. All of 2020. The company is partnering with NFT Platforms so that a portion of the auction proceeds can go directly to nonprofit crypto-associations, with NFT direct donations being a possible future development path. In the United States, investors can deduct their charitable donations directly from their regular income, usually over a few years, resulting in a win-win situation for everyone.

But, philanthropic endeavors in the NFT arena go far beyond this. So far, the NFT auctions have raised enough funds to build a school in Uganda and support frontline health workers. In 2022, a promising NFT auction will help raise awareness among contemporary artists with intellectual disabilities. Meanwhile, another’s proceeds will go to a charity of choice for the former Italian royal family.

Crypto Giving Tuesday recap. Source: The donation block

5. Art from the NFT world

Along with traditional art, artists have to travel the world to participate in exhibitions and auctions in order to publicize their work – a privilege reserved only for those with sufficient capital. But, with the rise of NFT’s decentralized markets, anyone in the world can strike, showcase, and sell their art with little start-up capital, thus connecting cultures around the world.

The Melanated NFT Gallery and the Mongolian NFTs are two notable mentions. Melanated NFT Gallery features contemporary African and Latin artwork such as landscapes, photographs of jazz icon Miles Davis, music from DJs, audio for guitar, collectible cards and more. musics. Meanwhile, the Mongolian NFTs platform contains NFT images of the nomadic pastoral steppes of the country of the same name and its history, traditions and customs as told by Mongolian artists. It has exceeded 100,000 registered users and sales of 1.5 billion Mongolian Tugrik ($ 550,000).

NFT arts by Mongolian artists. Source: Mongolian NFT