Gallery auctions – Art Lini http://artlini.net/ Mon, 07 Jun 2021 10:32:46 +0000 en-US hourly 1 https://wordpress.org/?v=5.7.2 https://artlini.net/wp-content/uploads/2021/04/cropped-icon-32x32.png Gallery auctions – Art Lini http://artlini.net/ 32 32 Tokyo aims to take crown of art trade in Hong Kong https://artlini.net/tokyo-aims-to-take-crown-of-art-trade-in-hong-kong/ Mon, 07 Jun 2021 08:56:00 +0000 https://artlini.net/tokyo-aims-to-take-crown-of-art-trade-in-hong-kong/


Above: Tokyo was once a major player in the global art market, but its importance has declined in recent decades.
© Denys Nevozhai

In the 1980s, Japan dominated the impressionist and modern art market, for example importing $ 1.5 billion worth of paintings in the first nine months of 1989 alone. At one point, it was estimated that a third of the world’s art sales was accounted for by Japanese buyers during the frenzied “bubble period” when all asset prices soared.

Then it all fell apart, and today Japan’s market share is so small that UBS and Art Basel’s 2021 Global Art Market Report doesn’t even give a figure. Recently published Nikkei Asia reported that Art Tokyo – the country’s leading fair – valued the domestic market at 236.3 billion yen ($ 2.1 billion) in 2020, just 4% of the global share.

But will that change with the decision taken in December 2020 to deregulate Japan’s tax system to allow art imports without paying duties in free port areas?


Taro Kono, Japanese Minister for Regulatory Reform

Kono-do attitude

“The government, in particular Taro Kono [the minister for regulatory reform], is completely determined to develop the art trade in Japan, so that Japan becomes a hub in Asia like Hong Kong, ”said Yasuaki Ishizaka, President of Sotheby’s Japan. He adds: “This reform of the free zone alone will not change the art market, but it is only the beginning. Study groups would look into the reform of donations, inheritances, tax on depreciation, etc.

“Taxation is heavy and complicates the conduct of business,” said Tim Blum, co-founder of Blum and Poe, which opened a gallery in Tokyo in 2014 and represents a dozen Japanese artists. “Until now, if we imported art to Japan, we had to pay 10% import tax in advance. It entered into escrow; if the art was re-exported then it was refunded, or tax paid if it went to a domestic buyer. And, he says, the repayment could take six months, which would put considerable pressure on cash flow.

Blum and Poe’s local gallery manager Marie Imai, who has met with the Tokyo customs office, says things aren’t that easy. “The process of applying for admission as a free port is long and the operation of the free port zones is strictly consulted and reviewed by the customs office,” she said. “It would take a lot of time, energy and manpower. Some gallery owners think this is not a realistic project at all.

Nevertheless, according to Blum: “Tokyo is the cultural capital of Asia, with its long tradition of history, architecture, fashion, cinema and art; I don’t know any artist who doesn’t want to go and show in Japan. And, he adds, “I have seen a dramatic increase in the number of young Japanese people starting to buy art, like Yusaku Maezawa. [the billionaire founder of Japan’s largest online fashion retailer]. “

Ishizaka confirms: “Young entrepreneurs in particular are starting to buy contemporary art. From lifestyle magazines to business magazines, major newspapers feature articles related to the art business. Only three years ago, when we asked the media to run our auctions, the response was always “art is a different world and it is unlikely to attract our readers”. But now they are coming to us. However, he says, while Sotheby’s has not ruled out restarting auctions in the country, there are no immediate plans to do so.

Today, for Blum, the changes in Japan are “100% on the Hong Kong estate.” With everything going on there, there is a race to see what other capital could replace or supplant Hong Kong. The most likely contenders are Singapore and Seoul, where Frieze has just announced the launch of its first Asian fair in September 2022. The South Korean capital is also attracting growing interest from Western galleries: Pace and Perrotin already have galleries there. , while Thaddaeus Ropac launched a space in October and Berlin-based dealer Johann König opened premises in Seoul last month.

“Maybe this is the opportunity for Tokyo,” says Blum: “And I’m more confident in the change now. Still, things tend to move like molasses here, so I don’t hold my breath.


The area around Haneda Airport near central Tokyo could host fairs and galleries, potentially rivaling Hong Kong
© Hideo Kurihara Alamy Stock Photo

The airport wants to be a hub for art as well as for travel

Tetsuya Kawabe is the Managing Director of the Haneda Future Research Institute and is responsible for developing projects around Tokyo’s second, more central airport. He believes the “sensitive” political situation in Hong Kong is an opportunity for Japan and has worked with Minister Taro Kono. “[Kono] decided to open the door by modifying the free port regulations, ”says Kawabe.

“This new deregulation is designed to attract the global arts community here, as an alternative to Hong Kong,” Kawabe said. “We want to host galleries, an international fair, as well as auctions, and we can facilitate the process. With one or two years, we might be ready for a big art fair.

An existing building, five minutes from Haneda Airport and within the free zone, is nearing completion and, when ready in 2023, will offer 30,000 m² of space, with the ambition of eventually become a gallery hub. Georgia


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Get your tickets today for a fun night out at the taste of Mariposa on Saturday June 26, 2021 https://artlini.net/get-your-tickets-today-for-a-fun-night-out-at-the-taste-of-mariposa-on-saturday-june-26-2021/ Sat, 05 Jun 2021 20:25:41 +0000 https://artlini.net/get-your-tickets-today-for-a-fun-night-out-at-the-taste-of-mariposa-on-saturday-june-26-2021/

June 5, 2021 – The Mariposa Butterfly Festival committee announced Wednesday morning that over 140 Taste of Mariposa tickets have been sold to date for the June 26, 2021 event. Tickets are still available online at MariposaButterflyFestival.net, The Visitor Center and Ridgeline Gallery and Gift downtown.

It will be a garden party atmosphere when the doors open at 5:00 p.m. in the Amigo Park area of ​​the Mariposa County Fairgrounds. the Ukuladies and Gents will provide the background music as people take advantage of the full bar offering a free glass of beer, wine or soda for ticket holders. A photo booth will be nearby for guests to capture the moment and UPS Sue and her team of dancers will teach everyone how to dance in line. Raffles and silent auctions will highlight the evening and the premiere of the documentary “Ranchers and Packers” featuring Bob Barrett sharing stories from Mariposa’s past will be the big entertainment show on the giant 21 foot video wall.

The crescendos night with the giant auction featuring a new king size quilt designed and made here in Mariposa, 9×10 bedroom rugs, unique FFA furniture, virtual reality glasses and much more.

“We always strive to make the Taste of Mariposa unique and the best event better. A night to remember! “Said Kimberly Vaughan, Creative Director of the Mariposa Butterfly Festival.” People will be pleasantly shocked at what we have in place for this upcoming Taste of Mariposa. 7 3 21 Announcement of the Butterfly Festival

The fundraising dinner includes prime rib and always favorite appetizers and desserts from local restaurants in Mariposa.

Tickets cost $ 45. There is no credit card charge for tickets purchased online at MariposaButterflyFestival.net. Tickets are also available at the Mariposa Visitor Center and Ridgeline Gallery and Gift downtown. All proceeds will go towards the production of the Mariposa Butterfly Festival the following week.

Source: Mariposa Butterfly Festival

Related: The Mariposa Butterfly Festival kicks off with a Taste of Mariposa fundraising dinner on Saturday, June 26, 2021

Don’t miss the Mariposa Butterfly Festival this year at the Mariposa County Fairgrounds on July 3-4, 2021

1st Annual Mariposa Butterfly Festival Classic Car & Truck Show on Saturday July 3, 2021


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Marilyn Monroe’s personal cookbook auction for $ 75,000 https://artlini.net/marilyn-monroes-personal-cookbook-auction-for-75000/ Sat, 05 Jun 2021 07:56:10 +0000 https://artlini.net/marilyn-monroes-personal-cookbook-auction-for-75000/

Marilyn Monroe’s personal cookbook auction for $ 75,000

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The members’ exhibit of the main art gallery ends June 5 https://artlini.net/the-members-exhibit-of-the-main-art-gallery-ends-june-5/ Sat, 05 Jun 2021 00:59:06 +0000 https://artlini.net/the-members-exhibit-of-the-main-art-gallery-ends-june-5/

The first exhibition of the season at the Maine Art Gallery will feature 103 works by 33 highly talented artists from Midcoast, Maine. Conservatives Jorge Pena and Colleen Kearney-Graffam asked the question “What inspires you? Each artist’s response included a few examples, as well as a personal statement about the creative process.

There are only a few days left until the show, but this is your chance to appreciate locally produced art and take it home at a very affordable price. The show runs from Wednesday to Saturday from 11:00 a.m. to 4:00 p.m. until June 5.

The Main Art Gallery is a non-profit organization that aims to advance and preserve painting, sculpture, and the graphic arts through exhibitions, lectures, demonstrations, and educational programs for children and adults. In addition to the current exhibitions, the gallery holds art classes in June and July and holds online auctions until June 15.
Sherry Dunbar of Tim Dunham Realty is a Seasonal Sponsor of The Main Art Gallery.

For more information www.maineartgallerywiscasset.org And in Wiscasset, Facebook’s main art gallery. The gallery is located at 15 Warren Street in Wiscasset, just a 2-minute drive or 8-minute walk from downtown Wiscasset. Free parking on the street.

From the north on Route 1, turn right on Federal Street (Rt. 218), then left on Warren Street. Head south on Route 1 and turn left on Federal Street, then left on Warren Street.

The members’ exhibit of the main art gallery ends June 5

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NFT BAZL Boosts Emerging NFT Industry by Auctioning Over 100 Physical and Digital Works of Art, Including Signed Floyd Mayweather Gloves https://artlini.net/nft-bazl-boosts-emerging-nft-industry-by-auctioning-over-100-physical-and-digital-works-of-art-including-signed-floyd-mayweather-gloves/ Fri, 04 Jun 2021 18:27:13 +0000 https://artlini.net/nft-bazl-boosts-emerging-nft-industry-by-auctioning-over-100-physical-and-digital-works-of-art-including-signed-floyd-mayweather-gloves/

NFT BAZL

Photo credit: Romain Maurice

NFT BAZL took place at the Maison du Temple in South Beach with great success Wednesday night. The emerging and disruptive NFT market has proven its right to exist alongside the big traditional players. An NFT physical gallery decorated the walls of Temple House. Viewers were mesmerized by over 100 pieces available by Tom Bates, Daniel Mazzone, Super Buddha and Paul Rousso. More than 450 participants were drawn to the place and took part in the exciting auctions.

Daniel Mazzone, Jordi Mollà and Seth Semilof

Photo credit: Romain Maurice

The crowd, which included blockchain billionaire Brock Pierce and famous rapper Fetty Wap, were entertained by world-class musical acts such as the famous duo Firebeatz, as well as Anna De Ferran and resident DJ Wasabi of Soho House and Club Eleven in New York. Firebeatz broadcast a set live from Amsterdam that featured a world premiere of their special track NFT.

Anna De Ferran

Photo credit: Romain Maurice

Two Floyd Mayweather NFTs have been auctioned. One of them was a pair of his signed boxing gloves. Ten percent of the sale went to the Elikia Hope Foundation for the African Diaspora. The foundation is headed by Diambi Kabatusuila, the queen of the Democratic Republic of the Congo. The Queen herself was also present and gave an inspiring speech on the purpose of the association.

Queen Diambi Kabatusuila

Photo credit: Romain Maurice

The conference was hosted live for seven hours on Decetraland and via Firebeatz social media to viewers around the world. In addition, the event attracted top media like Forbes, Vice TV, Vogue Brazil, NBC and CNBC.

Super buddha

Photo credit: Romain Maurice


NFT BAZL was hosted by Elitium, a blockchain-based wealth management ecosystem, which partnered with GDA Capital, the influential digital asset investment company. Eltium is focused on revealing the true potential of NFTs and recently integrated its NFT market with the Digital bits blockchain. This move bolsters their already impressive offerings. Elitium is working on a number of innovations within the NFT space, such as NFT farming, lockdowns to protect artists, and royalty models to generate long-term value for its users.

Seth Semilof, Raoul Milhado and Kamal Hotchandani

Photo credit: Romain Maurice

The venue proved the growing demand for NFT as works by renowned artists were keenly offered by a lively audience. NFT BAZL marks the start of a new era in which the digital asset will take its place as an industry standard. The remaining unsold items are now available in direct sale at their initial selling price.

NFT BAZL

Photo credit: Romain Maurice


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Milestone brings together a selection of rare Colts, Civil War, Military and Old West weapons for its … https://artlini.net/milestone-brings-together-a-selection-of-rare-colts-civil-war-military-and-old-west-weapons-for-its/ Thu, 03 Jun 2021 16:59:10 +0000 https://artlini.net/milestone-brings-together-a-selection-of-rare-colts-civil-war-military-and-old-west-weapons-for-its/

1999 Judson Brennan (Delta Junction, Alaska) 37-inch .50 caliber flintlock rifle with masterfully carved violin-backed maple stock, handcrafted brass furnishings and submerged barrel engraved ‘Judson Brennan # 93’ Estimate 15,000 $ – $ 25,000
Stage auctions

WILLOUGHBY, Ohio – After many months of traveling across the country, picking up select collections and expert cataloging of inbound shipments, the Milestone team will present their first auction of ancient and modern firearms, the Saturday June 19. The sale will take place at the cozy Milestone’s, a purpose-built auction gallery in the suburbs of Cleveland, with all forms of remote auctioning available, including live online through multiple platforms.

Approximately 770 lots will be auctioned, with many of the most popular specialty categories represented. “There is a great military selection, many rare Colts, and many historic and collectible firearms – something for all types of collectors,” said Chris Sammet, co-owner of Milestone Auctions.

1911 Colt in excellent condition with documentation, .45 ACP, one of 1,250 such pistols shipped to the United States Marine Corps Depot in Philadelphia on July 9, 1913. Stamped “UNITED STATES PROPERTY” and “MODEL OF 1911 US ARMY. Estimate of $ 12,000 to $ 18,000
Stage auctions

The Colt name is synonymous with quality and American tradition. One of the best selling Colts is a very good condition 1911 caliber .45, one of 1,250 such pistols shipped to the United States Marine Corps Depot in Philadelphia on July 9, 1913. Smooth, clean and 100% as contemporary, the pistol is stamped “UNITED STATES PROPERTY” and “US ARMY MODEL 1911”. An accompanying document from Colt’s archives confirms that the weapon went directly from the Colt factory to the USMC depot quartermaster in Philadelphia. “It’s rare for a Colt to be identified as having been issued directly to the USMC,” Sammet said. “Typically, the documentation indicates that a weapon of this type was shipped to the US government. The Milestone auction example is estimated to be between $ 12,000 and $ 18,000.

Another Colt gem is a 1st year (1929) .38 caliber Super, arguably the most desirable of all firearms in the manufacturer’s 1911 lineup. It has a nearly new magazine and a like new bore and handles. The original instructions are included, as well as a leaflet “Special Instructions” and a May 1929 advertisement from American rifleman magazine touting Colt’s new “Super”. Estimate: $ 10,000- $ 13,000

A third Colt highlight is a nearly new 1st year (1931) Colt .22 caliber Colt ACE .22 pistol from pre-WWII when Colt’s highest quality automatic pistols were produced. This firearm has a 3-digit “163” serial number and boasts exceptionally good condition, with over 98% of its pre-war blue finish intact. Ranked in the top 1% of its type by Milestone specialist Tony Wilcox, it is auctioned off with an estimate of $ 4,000 to $ 6,000.

38 caliber Colt revolver belonging to the legendary Texas Ranger, cowboy, poker player and breeder John Slaughter (1841-1922). Accompanied by a factory letter indicating that the pistol was shipped in 1904; plus an 1890s letter on El Paso County letterhead regarding the State of Texas against John Slaughter, and a 1902 correspondence on colored letterhead depicting “Slaughter’s Hereford” (cattle), Dallas , Texas. Estimate of $ 8,000 to $ 12,000
Stage auctions

Rich in Old West history, a .38 caliber Colt revolver that belonged to the legendary Texas Ranger, cowboy, poker player, breeder and sheriff John Slaughter (1841-1922) comes with a fascinating archive of ephemera. . Documents include a factory letter showing the gun was originally shipped to Montgomery Ward in 1904, an 1890s letter on letterhead from El Paso County regarding the “L ‘State of Texas vs. John Slaughter’ and a letter from 1902 on colored letterhead depicting “Slaughter’s Herefords” (cattle). Estimate $ 8,000 to $ 12,000. From an even earlier period and also valued at between $ 8,000 and $ 12,000, a coveted Confederate Civil War rifle .58 caliber is marked “CS Richmond Va” and dated “1862”. Notably, its first “medium” hump lock was made on machines captured at the Harper’s Ferry Armory in Virginia.

Moving on to the military section, an exceptional Mauser Banner Police Luger has “Banner” imprinted on the toggle link and a small date “1941” on the chamber, as well as an Eagle “L” proof mark on the receiver and the spare charger (unnumbered). The rigging is complete, with a leather case marked “Schambach & Co Berlin 1941” above an embossed eagle. An early war Luger P-08 and a recent find that has never been on sale before, it is priced between $ 4,500 and $ 6,500.

A first prize in the military category is a German Walther semi-automatic rifle from WWII, caliber 8X57, and manufactured in 1945. In very good condition with matching numbers, it retains over 97% of its original finish on its receiver, barrel, trigger assembly and bolt support assembly. He will drive with a ZF4 scope and a nice range of accessories. Estimate of $ 8,000 to $ 12,000

Those who enjoy exotic military weapons won’t want to miss the opportunity to acquire a Japanese 7mm “Baby Nambu”, a model made at the Tokyo Arsenal as a private purchase pistol from 1903 to 1923. A small pistol The Nambu is a favorite with military gun collectors, but the example offered by Milestone is particularly desirable, as it was captured by a US Navy officer during World War II. The pistol is accompanied by a handwritten notarized statement from George Lund, Petty Officer 1st Class, US Navy, claiming that he captured a Japanese officer’s pistol in the Admiralty Islands in March 1944. This extremely rare pistol has an auction estimate of $ 5,000- $ 8,000.

The auction’s firepower continues with a museum-quality Model 1893 Marlin rifle made in 1905. This 38-.55 caliber longarm is one of the very few Marlins made with a special 32 inch barrel and is almost certainly one of the best surviving rifles of its type. Estimate: $ 8,000 to $ 10,000. A rare and undamaged Winchester 1890 .22 caliber long rifle was among the last of its kind to be built during WWII. A superior copy in 95% or better condition, with nearly new inventory and bore, it will be offered with a quote of $ 4,000 to $ 6,000.

In a class of its own, a 1999 37-inch Judson Brennan (Delta Junction, Alaska) .50 caliber flintlock rifle was manufactured by the most respected of all contemporary rifle builders, using a maple fiddleback stock and handcrafted brass furniture. Its carved ornaments include raised volutes and a clamshell pattern faithful to the type of decoration seen on rifles of the “golden age”. Sammet observed: “A thinner rifle would be difficult to find. This recreation is truly mechanical art in its purest form. Auction estimate: $ 15,000 – $ 25,000.


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Steel Grizzle 21Z1756 Here are the amazing Romein-Klein speed pigeons from Holland. Impressive performance! https://artlini.net/steel-grizzle-21z1756-here-are-the-amazing-romein-klein-speed-pigeons-from-holland-impressive-performance/ Thu, 03 Jun 2021 05:46:26 +0000 https://artlini.net/steel-grizzle-21z1756-here-are-the-amazing-romein-klein-speed-pigeons-from-holland-impressive-performance/

Steel Grizzle 21Z1756 Here are the amazing Romein-Klein speed pigeons from Holland. Impressive performance!

I like to see a pair of nests that are like peas in a pod. This one and its companion (also online) are virtually identical!
The father of the pigeon for sale is

20P41518

Direct from 18C45926

Direct from “NEIUEW GOEDE ROEDE”

Super direct son of “BROER GOEDE RODE” x “GOED ROOD” – 2 absolute superstars of the Bulck dynasty

“BROER GOEDE RODE” is the n ° 1 of all

The dam of this pigeon is “LADY PITBULL” – fantastic direct daughter of the iconic “PITBULL”

“LADY PITBULL” is responsible for more than 45 x 1st winners!

The female who bred the father of the pigeon for sale is

B16-6182193

Full sister of the brilliant “DEN TORNADO”

“DEN TORNADO”

Winner of:

3.Nat. ACE young KBDB in 2014,

1.Prov. ACE Antwerpen Young 2014,

1. Noyon 1,012p,

1. Noyon 822p,

1. Noyon 556p,

1. Noyon 426p,

__________________________________________________________________________________________________________________________________

The mother of the pigeon for sale is

20H18973

Romein Klein’s imperious lineages here.

This is a truly exceptional Dutch sprint loft – soak up that performance

The father of 20H18973 is NL16-1475661

It is a G. Sound of “DE 781” B04-3001781

Responsible for

1st 13,570 pigeons (fastest of the 33,524 pigeons)

1st 19,085 birds

1st 11 144 birds

1st 10,606 birds

1st 7.356 birds

1st 5,122 birds

1st 2 164 birds

1st 1266 birds

1st 1,246 birds

1st 676 birds

1st 672 birds

The female who bred NL16-1475661 is

“SUPER POULE” NL13-1705855

Worth its name being responsible for over 20 x 1st including

1st Peronne 5,056 birds

1st Pont St Max 3 945 birds

1st Pont st Max 3,815 birds

1st Menin 3,437 birds

1st Lennik 2,703 birds

1st Arras 2,414 birds

1st Duffel 304 birds

2nd Roye 1,906 birds

3rd Quievrain 4,566 birds

3rd Duffel 1,198 birds

The female who raised the mother of the pigeon for sale is

NL18-5125436

His father is direct from “272” x “SUPER 08”

This means that the siblings have achieved the following goals

1st 3 945 birds

1st 3,815 birds

1st 6,051 birds

1st 4,566 birds (13,150 fastest birds)

1st 4,021 birds (fastest of 12,353 birds)

1st 3,439 birds

1st 2,321 birds (fastest of 7,367 birds)

1st 2 912 birds

1st 2,773 birds

1st 2,075 birds

1st 1003 birds

1st 891 birds

1st 827 birds etc.

The female who bred NL18-5125436 is

NL14-1007782

Just incredible blood!

Direct “QUICKSILVER” x “SUPER LEEUWINNEKE”

I deposited their images in the gallery for you

“QUICKSILVER” won the 1st 5,614 pigeons and the 1st 5,367 pigeons

He bred “STARLET” – see gallery

Sex not known or guaranteed


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Inbred grandson of champion GC Cooper George https://artlini.net/inbred-grandson-of-champion-gc-cooper-george/ Wed, 02 Jun 2021 21:51:30 +0000 https://artlini.net/inbred-grandson-of-champion-gc-cooper-george/

This proposed young bird comes from two proven breeders. Both parents contain the best of the GC Cooper lines.

The father of NWHU2021B2950 is GB10N2630 “George 2”. Bred by G + C Cooper. He is the father of winners up to the national level. He is my main stallion and his children are responsible for the winners at Club, Section and Federation level. Even at 11, he has filled all his eggs this year.

“George 2” is a direct son of Champion George winner of the 1st Grand National Tarbes 4035 Birds plus 2 RPRA Prizes. The mother of “George 2” is Miss Magnus who in turn is a daughter of Champion Racer Magnus. Magnus winner of the 19th Intnat Dax 7,192 Birds, 36th Intnat Perpignan 12,367 Birds, 33rd Intnat Dax 12,880 Birds.

The mother of NWHU2021B2950 is GB14Z96115. Another proven hen, mother of winners. She is impeccably bred being a Grdtr of Champion George 1st Grand National Tarbes, the best female ‘Pipa, Farmer George 1st International Bordeaux 10 611 Birds and Wollongong 1st International Pau 8 527 Birds. His parents are GB13N88874 and GB13J21423 see pedigrees in the gallery.

As you can see this young bird contains the best of GC Cooper Deweerdts and will go to my own loft if not sold. For more details on the pedigrees of the parents, see the photos in the gallery.

Full pedigrees will be given.


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Former gallery owner sells art collection for £ 750,000 https://artlini.net/former-gallery-owner-sells-art-collection-for-750000/ Wed, 02 Jun 2021 06:16:28 +0000 https://artlini.net/former-gallery-owner-sells-art-collection-for-750000/

A FORMER gallerist says she feels ‘bittersweet’ after selling the contents of her Henley home for almost £ 750,000.

Sally Hunter lived in Badgemore Grange with her late husband, Ian Posgate, for 30 years.

The couple had a common interest in mid-20th century British art and filled the Victorian property with a wide selection of paintings and ornaments.

She decided to sell everything after moving to an apartment in London, where she ran an art gallery in Knightsbridge.

A total of 466 lots were put up for sale by Aucists Sworders in Stansted Mountfitchet, Essex, and nearly all of the items were sold for a total of £ 737,828, exceeding the highest estimate by over £ 200,000.

Ms Hunter said: “Some things cost a lot more than we thought and some didn’t cost a lot, but it wasn’t surprising.

“The auctioneers have produced such a stunning catalog and arranged it very cleverly. It looked a lot like the interior of our house.

“Modern British paintings that were painted between 1920 and 1960 cost a lot more than expected and the lampshades did even better than that.

“Some came from artists to whom I became attached. They weren’t particularly valuable, but I didn’t want them to leave for nothing in solidarity with the artist.

“I’m glad but sad it’s over – it’s bittersweet.”

Twenty-three lots of Anglo-Indian ornithological watercolors sold for £ 189,410.

An image of a purple heron was bought by a private buyer in London for £ 22,100, while a group of four watercolors of exotic birds labeled Neelum Purree, Sharh Bullbull, Phinga and Dhonbie went to a buyer in India for £ 12,000. A pair of Indian tree pieces sold for £ 33,800, while a pair of koels from the same album sold for £ 20,800.

The couple shared a love for India and its decorative arts. They have visited the subcontinent on several occasions and have built up a large collection of items, mainly in shops and auction houses in London.

Shades signed and painted by artist and art historian Quentin Bell have proven to be popular, with a set of 12 small shades from 1991 selling for £ 24,700.

Thirteen works by Joan Warburton also sold well. An oil painting from 1957 called Nine Pigeons in London went for £ 6,500, while his oil painting cats with milk makes £ 8,450.

A UK private buyer spent £ 13,650 on Portrait of a lady by Dame Ethel Walker.

Jane Oakley, of Swords, said: “The examples Sally and Ian collected were of high quality – some of them extremely detailed.

“It was a joy to work on this sale. Sally and Ian’s collection was amassed over two decades and included all kinds of well-designed and carefully chosen pieces.

“As with all of our auctions at the moment, demand is very high as there simply aren’t enough opportunities to buy elsewhere.

“When it includes unusual pieces like Quentin Bell lamp shades, buyers really dig deep.”

Ms Hunter lived in Badgemore Grange, next to the Friar Park estate owned by Olivia Harrison, the widow of Beatle George, with Mr Posgate, an insurer at Lloyds of London, who died in 2017.

Most of the paintings were done by artists she supported in her gallery, which specializes in modern British art.

Ms. Hunter said, “Collecting items is fun. He makes a home a home and traces the lives and loves of the occupants.

“It was a collection that we have greatly enjoyed building and living with for many years.”


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NFTs will take shape at Artist Uprising’s pop-up gallery https://artlini.net/nfts-will-take-shape-at-artist-uprisings-pop-up-gallery/ Tue, 01 Jun 2021 09:00:00 +0000 https://artlini.net/nfts-will-take-shape-at-artist-uprisings-pop-up-gallery/

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As non-fungible art forms gain popularity, Dallas artists are riding the wave. Next month, Landmark Center will host an NFT pop-up gallery for two weekends.

The gallery, produced by Artist Uprising, will showcase a variety of digital works by Dallas artists Klarens Malluta, Magdiel Lopez, Michael Shellis and Temi Coker. Coker is originally from Nigeria and immigrated with his family to the United States in 2004. In college, he first studied biomedical engineering before focusing on digital media.

“I’ve been exposed to photography, graphic design, web design, animation, print, all of those different things,” Coker explains. “I focused on photography and design. This is how my love for [digital media] has begun. “

Since graduating from the University of Houston, Coker has partnered with Apple, Google, and HBO to create visuals. With his art, he wants to represent different facets of the black community.

“I create art that uplifts people in my community,” says Coker, “for people who are like me, who want to see and see my work. It is very important that I represent our darkness in my art.

Very few people are sure how NFTs work, but Coker explains that it’s similar to the social media verification process. The artwork attached to the non-fungible token may be reproduced or imitated, but only the people who purchased the token have proof that they own the work.

“People think they’re buying the artwork, but you really like buying a token of authenticity,” Coker says. “The best way for me to explain an NFT is like on Twitter, how you have the verifications verified for different users. And then you have other users who don’t have to verify. The verification verified you can see it in the blockchain. And so there is a way for people to track down the actual creator, and then who bought it first, and then who bought it from that person. “

Coker says that just as verified tweets remain on the blockchain, NFTs can still be traced back to their owner.

“Whereas in the real world, someone can capture your work, print it and hang it in their home and say, ‘Yeah, I did this’ or ‘I got this from that person’,” says -he.

With a mission to provide local artists with paid opportunities, as well as partnerships and brand relationships, the Artist Uprising team were excited to discover new ways to collect art digitally. Even among people who aren’t quite sure what an NFT is, Artist Uprising CEO Merrick Porchédd sees tokens creating a “FOMO effect” because everyone wants to jump into the hype.

When Porchédd launched Artist Uprising in 2017, she sought to eliminate the term “starving artist” from the vocabulary of local creators. She believes that NFTs will open new avenues for artists to financial success.

Several artists with whom Porchédd works had already mentioned the NFT. Earlier this year, she started receiving emails from artists and brands wishing to create and auction some form of tokens. Porchédd learned about NFTs and spent four days watching videos and doing immersive research.

During the pandemic, many NFT auctions were held online, but Porchédd wanted to be a game-changer and educate people about NFT in a fun and creative way.

“We had collectors who were trying to learn, ‘Hey, how do I get involved in this NFT world? », Says Porchédd. “And so we thought, what better way to kick off an event that would help start educating people in general, especially in Dallas, on what crypto or trading really means? Instead of having Zoom calls, we were like, “We should just make it a party.” “

The NFT Pop-Up Gallery will take place over two Saturdays, at 7 p.m. on June 5 and June 12. The June 5 event will be open exclusively to artists and collectors who are already in the NFT world. They will be able to see the artwork on the televisions, which will be displayed vertically on the walls.

The June 12 event will be open to the general public, who will also be able to view the artwork, purchase food from food trucks and physical versions of some of the artwork. Like NFTs, physical art will be sold through silent auctions. Participants will also be able to learn how the process of trading, buying and selling of NFT works.

“We feel like [Landmark Center] has an aesthetic that feels appropriate for an event like this, ”says Porchédd. “It has an industrial and urban vibe. And with this event, we really want to showcase this disruptive brand of art. “

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